Nature: Introduction & Chapter One
Ralph Waldo Emerson
Originally published as part of Nature; Addresses and Lectures
Courtesy of Project Gutenburg
Annenberg/CPB • www.learner.org
Corporation for Public Broadcasting Copyright Ó 2003
Chapter One
To go into solitude, a man needs to retire as much from his chamber as from society. I am not solitary whilst I read and write, though nobody is with me. But if a man would be alone, let him look at the stars. The rays that come from those heavenly worlds, will separate between him and what he touches. One might think the atmosphere was made transparent with this design, to give man, in the heavenly bodies, the perpetual presence of the sublime. Seen in the streets of cities, how great they are! If the stars should appear one night in a thousand years, how would men believe and adore; and preserve for many generations the remembrance of the city of God which had been shown! But every night come out these envoys of beauty, and light the universe with their admonishing smile.
The stars awaken a certain reverence, because though always present, they are inaccessible; but all natural objects make a kindred impression, when the mind is open to their influence. Nature never wears a mean appearance. Neither does the wisest man extort her secret, and lose his curiosity by finding out all her perfection. Nature never became a toy to a wise spirit. The flowers, the animals, the mountains, reflected the wisdom of his best hour, as much as they had delighted the simplicity of his childhood. When we speak of nature in this manner, we have a distinct but most poetical sense in the mind. We mean the integrity of impression made by manifold natural objects. It is this which distinguishes the stick of timber of the wood-cutter, from the tree of the poet. The charming landscape which I saw this morning, is indubitably made up of some twenty or thirty farms. Miller owns this field, Locke that, and Manning the woodland beyond. But none of them owns the landscape. There is a property in the horizon which no man has but he whose eye can integrate all the parts, that is, the poet. This is the best part of these men's farms, yet to this their warranty-deeds give no title. To speak truly, few adult persons can see nature. Most persons do not see the sun. At least they have a very superficial seeing. The sun illuminates only the eye of the man, but shines into the eye and the heart of the child. The lover of nature is he whose inward and outward senses are still truly adjusted to each other; who has retained the spirit of infancy even into the era of manhood. His intercourse with heaven and earth, becomes part of his daily food. In the presence of nature, a wild delight runs through the man, in spite of real sorrows. Nature says, — he is my creature, and maugre all his impertinent griefs, he shall be glad with me. Not the sun or the summer alone, but every hour and season yields its tribute of delight; for every hour and change corresponds to and authorizes a different state of the mind, from breathless noon to grimmest midnight. Nature is a setting that fits equally well a comic or a mourning piece. In good health, the air is a cordial of incredible virtue. Crossing a bare common, in snow puddles, at twilight, under a clouded sky, without having in my thoughts any occurrence of special good fortune, I have enjoyed a perfect exhilaration. I am glad to the brink of fear. In the woods too, a man casts off his years, as the snake his slough, and at what period soever of life, is always a child. In the woods, is perpetual youth. Within these
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plantations of God, a decorum and sanctity reign, a perennial festival is dressed, and the guest sees not how he should tire of them in a thousand years. In the woods, we return to reason and faith. There I feel that nothing can befall me in life, — no disgrace, no calamity, (leaving me my eyes,) which nature cannot repair. Standing on the bare ground, — my head bathed by the blithe air, and uplifted into infinite space, — all mean egotism vanishes. I become a transparent eye-ball; I am nothing; I see all; the currents of the Universal Being circulate through me; I am part or particle of God. The name of the nearest friend sounds then foreign and accidental: to be brothers, to be acquaintances, — master or servant, is then a trifle and a disturbance. I am the lover of uncontained and immortal beauty. In the wilderness, I find something more dear and connate than in streets or villages. In the tranquil landscape, and especially in the distant line of the horizon, man beholds somewhat as beautiful as his own nature.
The greatest delight which the fields and woods minister, is the suggestion of an occult relation between man and the vegetable. I am not alone and unacknowledged. They nod to me, and I to them. The waving of the boughs in the storm, is new to me and old. It takes me by surprise, and yet is not unknown. Its effect is like that of a higher thought or a better emotion coming over me, when I deemed I was thinking justly or doing right.
Yet it is certain that the power to produce this delight, does not reside in nature, but in man, or in a harmony of both. It is necessary to use these pleasures with great temperance. For, nature is not always tricked in holiday attire, but the same scene which yesterday breathed perfume and glittered as for the frolic of the nymphs, is overspread with melancholy today. Nature always wears the colors of the spirit. To a man laboring under calamity, the heat of his own fire hath sadness in it. Then, there is a kind of contempt of the landscape felt by him who has just lost by death a dear friend. The sky is less grand as it shuts down over less worth in the population.
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Comments are due October 06, 2024 23:59
Emerson suggests that true solitude isn’t just physical isolation but requires stepping away from the mental and social distractions of life. It’s about disconnecting from the noise around us to find peace within ourselves. This reflects transcendentalist values of self-reliance and deeper introspection through nature.
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This statement is simple yet powerful. It states that in order to go into true solitude one must step away from what’s comfortable and familiar to them just as much as they should social interactions. By cutting all distractions then one is completely in solitude.
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Connective:
This resonates with my own person experiences when I’ve needed not only to be alone but also to step away from my usual surroundings, both physically and mentally. I have found that doing this helps to find clarity. Whether it’s retreating to a quiet space or going out into nature, there’s often a need to escape both the external pressures of society and the internal noise we accumulate from daily life.
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He is saying that wile alone, one should do something useful with his time. I believe this to be something meaningful or useful. Personally, when I am alone I like to fill my time reading and learning something new.
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This sentence is saying the stars are almost like an escape route for him; they “separate him and what he touches.” it allows him to detach from his surroundings and connect with something much larger than what he can feel or touch.
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I agree, it can also mean that connecting with these realities allows individuals to see the world in a new light while discovering deeper meanings and connections in nature.
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This statement is referencing the real world and heaven. It’s saying how if the stars didn’t come as often as they do, how would we remember and rejoice in God. The stars are our daily reminder of something bigger than us ( heaven and God)
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wow, I really love your interpretation! That is so beautiful! I believe too, that it’s not just the stars but everything that give an account to god. Like the oceans, sun, moon, and even mountains. These are all too perfect to not have been created.
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In this sentence…
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Him saying “Nature never wears a mean face” (Emerson, para 2, line 3) to me symbolizes its beauty. Nature is simple, breathtaking and peaceful. There is a kindness about it even though we know things die and kill/ are killed in nature.
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This sentence shows that nature is an unmoveable force even to the wisest of men. Nature is an all-powerful force with many secrets humans cannot control.
The beauty and complexity of the natural world are awe-inspiring, with its intricate ecosystems and diverse species.
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I think your comment is a great example for transcendentalism. correct me if I’m wrong but you are saying that this statement is saying that nature is way bigger than us. Everything in nature has a job that Ultimately works together to become one and this is at all done without the help or need of a human.
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This sentence reminds me of the topic we are discussing this week—transcendentalism. Nature is not a toy for a wise spirit. He believes that nature is not to be exploited but to be respected and cared for. It compares humans to nature.
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This sentence refers to contrasting views of nature two people might have. The stick of timber of woodcutter view describes a person who sees a tree and thinks of resources that could be made from it, exercising a utilitarian point of view. The perception of the tree of a poet sees the beauty of the tree and all it embodies. They see beauty, growths and life it symbolizes, looking beyond the trees general purpose.
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I believe this sentence means he doesn’t see us humans as any higher than nature herself. He believes that we are only a part of nature. Therefore we cannot own what we came from.
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This sentence, and the one before it, suggest that the true beauty of the landscape is something only the poet possess because others they lack the emotional depth and vision. The beauty is only recognized by people who can see beyond the physical aspect of it due to the poet being able to see the entire nature of beauty.
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I believe this sentence means than man and child interpret things differently. A man will only see things for what and how they are. A child will see beyond the simple object with a wild imagination.
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In this passage, I believe it means that true lovers of nature connect their feelings with their experiences of the outside world. He compares this to how children view nature with wonder and curiosity. The author encourages us to keep this youthful spirit as we grow up, suggesting that we must remain open-hearted and open-minded to appreciate nature, balancing feelings and understanding throughout our lives.
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This reminds me of the topic we discuss in this week’s unit- Transcendentalism. He discusses nature and humans, how they compare, and how we should be “child-like,” which is innocent and free.
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This sentence is not meant to be taken literally. This sentence means that his heavily involvement with heaven and earth is a part of his daily structure. He uses his interaction between the two as nourishment of the mind.
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Nature is always beautiful, no matter the time or season. Every moment in nature can bring different feelings, whether it’s happiness or sadness. Even walking in the cold and snow can bring joy. Nature makes us feel alive, even without good luck or big events.
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My take on this sentence is that nature is both constant and neutral, regardless of the emotions that surround it. It implies that nature’s setting is neither joyful nor mournful. It may also suggest that with its expansiveness and diversity it has the capacity to enhance the full range of human emotions.
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Emerson uses a metaphor to explain how those who enjoy nature do not become tired. He emphasizes how nature is like God in that it is safe. Nature is beautiful, like a festival in which we are all invited to enjoy.
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This sentence highlights Emerson’s belief that nature, particularly the woods, has the power to restore our sanity and spiritual beliefs. He’s saying that by immersing ourselves in the natural world, we can somehow escape the distractions of society, allowing us to reconnect with our ourselves and the fundamental truths of existence. This return to reason emphasizes the healing qualities of nature, which are central themes in Emerson’s visionary philosophy.
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In this sentence Emerson is talking of how cleansing nature can be. It tells of how you find peace in going back to simpler times. Relying not on others or things you have learned but on just pure instinct and believing.
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Man can become entrapped in the persona he presents to the world. Hidden under ego, pride, fear and other emotions, the real man lives and breathes. Nature can be a cleansing space where man can drop this persona and just be emotionally naked.
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In this sentence, it connects to transcendentalism by expressing that becoming a “transparent eye-ball” reflects unity with nature, self-realization by letting go of ego, the belief in a divine connection to a larger spiritual reality, and the importance of trusting intuition over reason.
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The author feels accompanied by the wilderness and at peace because he is unacknowledged by it
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the author finds the wilderness to be more of a safe space for them and they find serenity and peace compared to the streets or villages.
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In the same way that nature may be beautiful and full of life one day and drab the next, life takes a similar cycle. Where a person may be happy and upbeat one day, a simple change in circumstance can completely sour their disposition or contenance.
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Interpretation:
This sentence speaks about the constant shift between joy and sadness, beauty and melancholy. Emerson suggests that while nature can be bright and joyful, it also has a capacity for sorrow. He implies that the external world mirrors human emotions, changing in appearance and tone depending on one’s perspective or inner state. Nature is not just a backdrop for happiness but also for introspection and sadness.
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Emerson explains how although the setting may remain the same, nature can change emotions quickly. He uses words such as “perfume” and “breathed” to evoke a sense of smell from the reader. In this sense, nature can sometimes mimic human qualities.
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The author talked about how beautiful and joyous nature appeared on day. While other days it wasn’t as beautiful and charming the next. Nature often is used to speak on how it relates to people’s emotions. He used fairytale characters to show the emotion of happiness and beauty.
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I think this sentence describes Emerson’s idea that nature reflects or shows our inner self-emotional and spiritual states. The natural world can show our moods and feelings, suggesting a big connection between our inner lives and the external environment. This concept aligns with the belief that nature and the human spirit are intimately linked as one and that by seeing and engaging with nature, we can somehow gain insights into our own emotions and experiences.
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