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    <title>Comments by Christopher Stokes</title>
    <description>Most recent public comments by Christopher Stokes</description>
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      <title>Types of history...</title>
      <link>https://nowcomment.com/documents/290844?scroll_to=2590124</link>
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      <description>I suppose the word 'bard' tends to imply verbal/oral poetry. I'm sure Chris E. mentioned the fashion for Ossian in the lecture, so Johnson attacking the bard as a &quot;barbarian among barbarians&quot; is attacking the idealisation of that, and - as you say - insisting on education, writing, modernity, progress (as Johnson sees these things)

Interesting you mention the &quot;writing of history&quot; - the unreliable Bardic history of Scotland (oral tradition, legends etc) is perhaps being contrasted to 'proper' history. It's a key divergence, as you say.</description>
      <pubDate>Wed, 06 Oct 2021 10:35:18 -0500</pubDate>
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      <title>Enchantment and the Past</title>
      <link>https://nowcomment.com/documents/290844?scroll_to=2590086</link>
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      <description>Yes - in travelling back in time, it is as if Johnson feels a traveller might be bewitched or fooled, maybe as if travelling back into a pre-enlightened era by travelling across a less 'civilised' space. Yet, of course, it is actually the *traveller* who is credulous, not the natives (who are suspected as manipulating tourists...)</description>
      <pubDate>Wed, 06 Oct 2021 10:17:21 -0500</pubDate>
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      <title>Clever linking!</title>
      <link>https://nowcomment.com/documents/290844?scroll_to=2590084</link>
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      <description>Yes, cultivation is pretty key as a motif. It's interesting, of course, that writing/speech can become linked through analogy to land, culture, history etc. 
</description>
      <pubDate>Wed, 06 Oct 2021 10:15:07 -0500</pubDate>
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      <title>Great points</title>
      <link>https://nowcomment.com/documents/290844?scroll_to=2589065</link>
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      <description>Breath is fragile, yes - romantic, but sort of doomed, doomed to a less legitimate past. I like the sense of inaudibility, as well as the hint it is just mere sounds i.e. less important, perhaps less linked to thoughts. Your comment reminded me of Wordsworth's 1807 (ish??) poem 'The Solitary Reaper', which seems so much more positive but maybe expresses similar sentiments.

https://www.poetryfoundation.org/poems/45554/the-solitary-reaper</description>
      <pubDate>Wed, 06 Oct 2021 07:05:46 -0500</pubDate>
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      <title>Wow! What does this say about Johnson as a travel writer?</title>
      <link>https://nowcomment.com/documents/290844?scroll_to=2584760</link>
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      <pubDate>Wed, 06 Oct 2021 10:17:21 -0500</pubDate>
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      <title>What&#8217;s the alternative idea of the Bard that Johnson is working against?</title>
      <link>https://nowcomment.com/documents/290844?scroll_to=2584759</link>
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      <pubDate>Wed, 06 Oct 2021 10:35:18 -0500</pubDate>
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      <title>Beyond the speaking vs writing angle, I wonder how we can unpack the potent image of breath here&#8230;?</title>
      <link>https://nowcomment.com/documents/290844?scroll_to=2584758</link>
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      <pubDate>Wed, 06 Oct 2021 10:15:07 -0500</pubDate>
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