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    <title>Comments by Tracy Shu</title>
    <description>Most recent public comments by Tracy Shu</description>
    <link>https://nowcomment.com/users/19896</link>
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      <title>Right-- I feel that the power of &quot;documentary&quot; type films lies in its strength to use fairly objective / &quot;observation&quot; scenes that provoke messages that can be interpreted as &quot;propaganda.&quot;</title>
      <link>https://nowcomment.com/documents/43792?scroll_to=513750</link>
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      <pubDate>Fri, 20 May 2016 10:27:54 -0400</pubDate>
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      <title>Another way the film shows importance of each individual is showing the INCLUSION of each individual, supporting the notion that even the smallest action can make a difference. </title>
      <link>https://nowcomment.com/documents/43792?scroll_to=511607</link>
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      <pubDate>Fri, 20 May 2016 14:57:54 -0400</pubDate>
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      <title>Even though the events did realistically happen, each scene can be edited to be perceived a certain way. A script is just a way to organize that &quot;realistic&quot; content to support a message. For example, scenes of women working in the war actually did happen.</title>
      <link>https://nowcomment.com/documents/43792?scroll_to=511606</link>
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      <description>However, that content can be organized in a way where the main purpose of including those scenes is intentionally &quot;scripted&quot; to draw attention to the strong collective efforts of including EVERYONE in the war. </description>
      <pubDate>Fri, 22 Apr 2016 07:16:30 -0400</pubDate>
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      <title>The film begins quietly to draw a stark contrast between what life is before the war/ fighting occurs vs. during. This is done to show the drastic impact war can have on people's lives as we hear the transgression from quiet to loud bombings. </title>
      <link>https://nowcomment.com/documents/43792?scroll_to=511603</link>
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      <pubDate>Fri, 22 Apr 2016 07:15:40 -0400</pubDate>
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      <title>The natural sound used in the film works in compliance with the film's intention to &quot;observe.&quot; The contributes to the &quot;realism&quot; the film is trying to convey in everyday life. Whether it includes the sounds of intense bombings or people walking </title>
      <link>https://nowcomment.com/documents/43792?scroll_to=511600</link>
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      <description>in the street, its important to depict life as its naturally being lived by people in the film.</description>
      <pubDate>Fri, 22 Apr 2016 07:14:45 -0400</pubDate>
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      <title>It also gives women a sense of unity. Although this film highlights individuality on a micro level (individuals being active and passionate in their roles), it creates a strong unity of nationalism aka &quot;British spirit&quot; on a macro level.  </title>
      <link>https://nowcomment.com/documents/43792?scroll_to=511597</link>
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      <pubDate>Thu, 12 May 2016 19:10:58 -0400</pubDate>
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      <title>I agree. Placing an importance on individualism also builds rapport and nationalism for the &quot;British spirit.&quot; Given the large and dangerous nature of the war, its easy for one to get lost in the shuffle. Owning and being proud of their role in the war </title>
      <link>https://nowcomment.com/documents/43792?scroll_to=511596</link>
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      <description>gives people self motivation and drive to suceed.</description>
      <pubDate>Fri, 20 May 2016 23:00:58 -0400</pubDate>
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      <title>The heroism lies in the hands of each individual. The film draws a notion that as long as we take active participation in the war, we can be heroes .This draws back to the idea of individualism-- each action is important. Whether we are male / female </title>
      <link>https://nowcomment.com/documents/43792?scroll_to=511595</link>
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      <description>on an active fighting duty or being a messenger, each individual takes an important role.</description>
      <pubDate>Fri, 20 May 2016 14:54:36 -0400</pubDate>
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      <title>As &quot;reality / &quot;documentary&quot; type films, the Jennning war films were looking to display the perspectives of the people rather than explicitly placing the political propaganda of political leaders. Throughout the film we observe the people's everyday tasks </title>
      <link>https://nowcomment.com/documents/43792?scroll_to=511594</link>
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      <description>as contribution to the war. Whether that includes administrative tasks or taking larger roles such as active fighting. </description>
      <pubDate>Fri, 20 May 2016 10:27:54 -0400</pubDate>
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      <title>I think the inclusion of women in the war efforts showed this &quot;British spirit.&quot; Personally watching, I felt that there must have been a sense of nationalism depicting women taking a high responsibility in the war.</title>
      <link>https://nowcomment.com/documents/43792?scroll_to=511069</link>
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      <description>It reminded me of America's own Rosie the Riveter during WWII. </description>
      <pubDate>Thu, 12 May 2016 19:10:58 -0400</pubDate>
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      <title>I think it was edited more to express a certain perspective that we haven't seen yet.  This tailored depiction was used to show how the common person lived during the war. </title>
      <link>https://nowcomment.com/documents/43791?scroll_to=510462</link>
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      <pubDate>Fri, 20 May 2016 14:42:42 -0400</pubDate>
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      <title>Why We Fight was factual in a way that depicts the everyday lives of common people during the war. However, it was also used to set a a tone to persuade people to fight in war. </title>
      <link>https://nowcomment.com/documents/43791?scroll_to=510461</link>
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      <pubDate>Sun, 17 Apr 2016 07:34:38 -0400</pubDate>
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      <title>I agree with this. Riefenstahl used creative decisions on camera angles and certain scenes to depict &quot;strength&quot; of Nazi Germany. Although narration would make it easier to follow along, Riefenstahl was stronger in using image as the voice of her films.</title>
      <link>https://nowcomment.com/documents/43791?scroll_to=510460</link>
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      <pubDate>Fri, 20 May 2016 10:08:10 -0400</pubDate>
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      <title>I think Riefenstahl can create propaganda without the use of a narrator since her imagery is strong in carrying an idea across. However, the use of narrator could be used to further strengthen a point that is not as obvious on film.</title>
      <link>https://nowcomment.com/documents/43791?scroll_to=510459</link>
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      <pubDate>Sun, 17 Apr 2016 07:33:01 -0400</pubDate>
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      <title>The film uses a narrator to provide context to images. It can also be used to list facts objectively or set a certain &quot;tone&quot; based on the information said and how its said. </title>
      <link>https://nowcomment.com/documents/43791?scroll_to=510458</link>
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      <description>Given that this film was focusing more on &quot;the people&quot;, it was used to depict the everyday life of how people lived in Britain during the war.</description>
      <pubDate>Fri, 20 May 2016 14:48:48 -0400</pubDate>
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      <title>The different uses of Fascist vs. Democratic propaganda lies in the perspective the film is trying to take. In Triumph of the Will, it was so obviously Fascist because it was shown in the eyes of a glorified Nazi Germany-- in the eyes of Hitler. </title>
      <link>https://nowcomment.com/documents/43791?scroll_to=506326</link>
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      <description>However in Why We Fight, we see the experiences of Americans and their participation in the war, which gives off a more democratic presence. </description>
      <pubDate>Wed, 06 Apr 2016 06:57:36 -0400</pubDate>
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      <title>Yes, the film focused more on the people's journeys and experiences throughout the war. This perspective contributed to the realism of it because in the past political &quot;war&quot; films we watched from Riefenstahl, we see history unfold in the eyes of Hitler.  </title>
      <link>https://nowcomment.com/documents/43791?scroll_to=506325</link>
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      <pubDate>Fri, 20 May 2016 14:42:42 -0400</pubDate>
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      <title>Ideological Opposites </title>
      <link>https://nowcomment.com/documents/43785?scroll_to=506324</link>
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      <description>Although Olympia and Triumph of the Will celebrated different events, they both highlighted the main focus and theme -- the power and strength of Nazi Germany. While Olympia celebrated the power of Germany via athletic competition, Triumph of the Will celebrated the dominance of Nazi Germany through the romanticization of Hitler.</description>
      <pubDate>Wed, 06 Apr 2016 06:59:41 -0400</pubDate>
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      <title>Re: </title>
      <link>https://nowcomment.com/documents/43785?scroll_to=506323</link>
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      <description>Adding to the idea of &quot;German Romanticism&quot;, the Olympics were also another way to show political dominance. Since many world powers (countries such as US) were to participate, the fact that the Olympics was even held in Germany showed that it was at its strongest state, holding one of the most coveted and popular athletic competitions in the world. </description>
      <pubDate>Wed, 06 Apr 2016 06:58:55 -0400</pubDate>
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      <title>The way Riefenstahl edits her films according to the &quot;laws of aesthetics and rhythm&quot; is to romanticize the image of Germany. This includes making the music feel graceful and prideful, as well as editing the film to feature the strong physical attributes</title>
      <link>https://nowcomment.com/documents/43785?scroll_to=506322</link>
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      <description>of the athletes. For example, focusing on runners' muscles on their legs. </description>
      <pubDate>Wed, 06 Apr 2016 06:58:20 -0400</pubDate>
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      <title>When looking broadly of how propaganda is used in the film, it tells a story about history (a time and place) in a certain perspective. Although it does not fully capture the essence of the &quot;time capsule&quot;, it definitely shows different perspectives during</title>
      <link>https://nowcomment.com/documents/43791?scroll_to=506321</link>
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      <description>a time and place.</description>
      <pubDate>Wed, 06 Apr 2016 06:55:06 -0400</pubDate>
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      <title>Triumph of the Will vs. Why We Fight</title>
      <link>https://nowcomment.com/documents/43791?scroll_to=505295</link>
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      <description>While Triumph of the Will was very obviously filmed for propaganda romanticizing the power of Nazi Germany. This was intended to persuade people to follow Hitler's fascists ideologies. However, why We Fight showed the other side of how people lived on a day-to-day basis as well as factual content. Also in Why We Fight, we learned more about the history of the war and why soldiers were fighting the war from the British point of view.


</description>
      <pubDate>Sat, 02 Apr 2016 08:05:28 -0400</pubDate>
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      <title>Voiceover </title>
      <link>https://nowcomment.com/documents/43791?scroll_to=505294</link>
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      <description>I think a voiceover narrator is used to defined a certain perspective. Although the voiceover was narrating facts and images, there are ways that narration can implicitly express views. I think Riefenstahl being a director of propaganda would support this-- using narration to explain events but also using narration in a tone that can imply messages to define a perspective.</description>
      <pubDate>Sun, 17 Apr 2016 07:33:01 -0400</pubDate>
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      <title>Realism </title>
      <link>https://nowcomment.com/documents/43791?scroll_to=505293</link>
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      <description>In the context of the film, the sense of realism is drawn by the reflection of how desensitized people became as a result of the war. Even though the war brought upon tragic events, people became numb to it because it was happening so often. Although it is not realistic to us to be reacting so apathetically, we must realize that these people have been living in war for a long time.</description>
      <pubDate>Fri, 20 May 2016 14:42:42 -0400</pubDate>
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      <title>Riefenstahl- Nazi Agenda </title>
      <link>https://nowcomment.com/documents/43790?scroll_to=502027</link>
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      <description>I don't think that Riefenstahl had part in the execution Nazi Agenda, but I do believe that she influenced pro-Nazi sentiments that led to the support of the Nazi agenda with her films. Her films romanticized Hitler and Nazi Germany in a way that condoned what they did. Her films also promoted the idea of strength in the form of the aryan race. (She would film young, strong, blonde aryan men in Triumph of the WIl.</description>
      <pubDate>Thu, 24 Mar 2016 07:49:41 -0400</pubDate>
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      <title>Riefenstahl- liar </title>
      <link>https://nowcomment.com/documents/43790?scroll_to=502024</link>
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      <description>I don't think the film was intended to present Riefenstahl as a liar. Instead, I think it was intended to show the different sides of her. We are only used to seeing the intelligent &quot;director&quot; oriented side of her, but the film was intended to depict her in different lights. The film showed Riefenstahl to be stubborn and picky (ex. when she chooses shots of herself), but maybe thats why she was able to produce nationally-acclaimed films.</description>
      <pubDate>Fri, 20 May 2016 18:25:03 -0400</pubDate>
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      <title>Politics and Art </title>
      <link>https://nowcomment.com/documents/43790?scroll_to=501873</link>
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      <description>I am skeptical of Riefenstahl's comment that politics and art  can be separated. Especially because of the political nature of her content (Nazi Germany- pro-Nazi government), any way she portrays her content will send a particular message. Art is used to send a message through visuals. It is very hard to separate art and politics just because art is driven by an incentive and message that the artist wants to portray whether it is subliminally or explicitly. </description>
      <pubDate>Fri, 20 May 2016 18:03:11 -0400</pubDate>
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      <title>Leni Riefenstahl - naive and innocent</title>
      <link>https://nowcomment.com/documents/43790?scroll_to=501870</link>
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      <description>Leni Riefenstahl's portrayal of herself of being naive and innocent is misleading given the scenes we've seen of her in the film. She is definitely aware of what other people intends to do and she gets what she wants by being adamant in her decisions. For example, in the scene of when she was talking to the director and staff about how she wanted to be filmed, she was adamant about particular camera shots/angles since she knows that different shots/angles will make he be perceived differently.</description>
      <pubDate>Thu, 24 Mar 2016 07:45:35 -0400</pubDate>
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      <title>Susan Sontag</title>
      <link>https://nowcomment.com/documents/43790?scroll_to=501864</link>
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      <description>Yes I do think Sontag is reading into it too much. This scene of her petting the stingray was intended to depict the human elements of Riefenstahl by showing her hobbies and interest. This occurs more naturally to her since it depicts her in her natural element. This also helped perceive her in a different light instead of the public brand that she's developed as this big time director for Hitler. Showing her underwater hobbies also spoke alot about who she is--adventurous.</description>
      <pubDate>Thu, 24 Mar 2016 07:44:20 -0400</pubDate>
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      <title>Horrible World of Leni</title>
      <link>https://nowcomment.com/documents/43790?scroll_to=501850</link>
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      <description>Yes, the film does support the conclusion of &quot;the wonder horrible world of Leni Riefenstahl.&quot; It showed a very different side of her that is not typically displayed to the public on her accord. We see her being extremely particular about how she wants to be filmed. She also embodied a tone of annoyance when she is not being filmed the way she wants. </description>
      <pubDate>Thu, 24 Mar 2016 07:43:06 -0400</pubDate>
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      <title>Hitler's agreement to filming </title>
      <link>https://nowcomment.com/documents/43785?scroll_to=501184</link>
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      <description>Hitler's agreement to filming the Olympics in Germany is another strategy of his to maintain Germany as a dominant world power. Given that the Olympics is a highly coveted and public global event, Germany's hosting of the events showcased the extent of power that Germany has. This was a chance for Hitler to prove Germany's strength relative to the countries participating. </description>
      <pubDate>Tue, 22 Mar 2016 08:43:17 -0400</pubDate>
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      <title>Fascist Aesthic </title>
      <link>https://nowcomment.com/documents/43785?scroll_to=501183</link>
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      <description>The fascist aesthetic in Olympia represented what Hitler wanted his country to be -- strong, youthful, and resilient.  This is why Riefenstahl included shots that focused in on the human form to depict strong people in representing Germany as a nation.</description>
      <pubDate>Tue, 22 Mar 2016 08:42:14 -0400</pubDate>
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      <title>Cinematography</title>
      <link>https://nowcomment.com/documents/43785?scroll_to=501182</link>
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      <description>The Cinematography is emphasized because the quality of the footage reflects the artistic credentials of the director and the message that she (Riefenstahl) portrays. Not only does she want to portray her message in a carefully constructed way using selective cinematographic decisions, but her decisions also reflect the credentials and truth-value in her message. </description>
      <pubDate>Tue, 22 Mar 2016 08:41:41 -0400</pubDate>
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      <title>Nationalism </title>
      <link>https://nowcomment.com/documents/43785?scroll_to=501181</link>
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      <description>An athlete's representation at the Olympics is much more than a game of sport. It represents a nation in a broader pool of other countries. It gives people belonging to a represented country something to cheer about-- a sense of pride and nationalism. Human form is also focused on with camera shots that captured athletes' bodies, especially legs. These camera shots helped parallel the symbolic power and strength that exists in sports. This might also explain why nationalism is touched upon in this film. Strength in athletics showcase power, which reflects the desires of a strong country (nationalism).</description>
      <pubDate>Tue, 22 Mar 2016 08:40:51 -0400</pubDate>
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      <title>Viewing Hitler in a certain way</title>
      <link>https://nowcomment.com/documents/43763?scroll_to=501180</link>
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      <description>After watching the film, the audience is free to view Hitler any way it wants-- based on the audience's extent of prior knowledge of Hitler. Given the limited content that only exposes and spreads one-sided propaganda on Nazi Germany, it is hard for audience members who do not know any better to look at Hitler in a negative light. Riefenstahl did a good job in depicting Hitler as Germany's savior in maintaining a &quot;pure&quot; and &quot;strong&quot; country, but her exclusion of Hitler's insidious actions (mass genocide) skew's the audience's perception of Hitler. </description>
      <pubDate>Thu, 19 May 2016 18:42:35 -0400</pubDate>
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      <title>Shot Selection </title>
      <link>https://nowcomment.com/documents/43763?scroll_to=501178</link>
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      <description>Triumph of the Will focuses on shot selection by romanticizing Hitler in a way that perceives him as a savior for Germany. &quot;Conduct&quot; was a well chosen word because it showed that Hitler knew how to execute his objectives in a way that would persuade people to believe in his Nazi mission. Since Hitler was a very strong oral presenter, Riefenstal's inclusion of his speeches contributed to the propaganda effect of persuading people to glorify Nazi Germany. </description>
      <pubDate>Tue, 22 Mar 2016 08:38:27 -0400</pubDate>
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      <title>Formal Role</title>
      <link>https://nowcomment.com/documents/43763?scroll_to=501177</link>
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      <description>The content in Riefenstahl's film takes on a formal role in that it is carefully constructed to fulfill an objective. Although &quot;documentary,&quot; this is also a propaganda film in which content is preconceived and executed accordingly to fit the objectives that the film is trying to project (pro-nazi / pro hitler sentiments.) </description>
      <pubDate>Tue, 22 Mar 2016 08:37:37 -0400</pubDate>
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      <title>There can be an objective documentary if the subject content of it is limited enough for the documentary to capture EVERY aspect of it. Because this is never really the case, documentaries usually chose a couple perspectives of interest and expands on it.</title>
      <link>https://nowcomment.com/documents/43762?scroll_to=494049</link>
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      <description></description>
      <pubDate>Thu, 10 Mar 2016 07:19:26 -0500</pubDate>
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      <title>I perceive documentaries to have limited truth value. While one documentary that portrays one message, there will be another one that portrays another message. However, the &quot;truth&quot; they portray may be subjective to different audiences, times, and places.</title>
      <link>https://nowcomment.com/documents/43762?scroll_to=494048</link>
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      <pubDate>Wed, 02 Nov 2016 12:23:44 -0400</pubDate>
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      <title>Films can create their own reality by building upon or altering the reality that they perceive. It doesn't have to be &quot;accurate&quot; for them to create it-- they just need supporting scenes that emphasize the theme of the reality they are trying to create.</title>
      <link>https://nowcomment.com/documents/43762?scroll_to=494047</link>
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      <description></description>
      <pubDate>Thu, 10 Mar 2016 07:17:30 -0500</pubDate>
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      <title>Documentaries only document the perspective that the producers want you to to see. </title>
      <link>https://nowcomment.com/documents/43762?scroll_to=494045</link>
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      <description>Documentaries are never truly objective since there are limited ways in including everything into a film. Therefore, producers select the perspective they want you to see and continue building scenes that support this perspective. In Triumph of the Will, Riefenstahl glorified Nazi Germany and romanticized the strength of the young aryan race with the happy scenes of ambitious and vibrant young German boys.</description>
      <pubDate>Fri, 20 May 2016 10:49:54 -0400</pubDate>
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      <title>Happiness in life is based on perspective </title>
      <link>https://nowcomment.com/documents/43758?scroll_to=474992</link>
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      <description>I believe that the moral lesson of Nanook of the North was that happiness lies on one's perspective and outlook on life. Even though bad things may happen, with the right perspective and outlook, you can still be content. Given that we've grown up in a modern civilization in a first world country (America), our perspectives are a little skewed to be &quot;spoiled.&quot; Thus, if an average American had to live in the conditions that Nanook and his family lived in, their perspective on life might be discontent and struggles. However, with the right perspectives, you can make any way of life enjoyable-- as perceived by the smiling faces of Nanook and his family. </description>
      <pubDate>Sat, 20 Feb 2016 08:25:25 -0500</pubDate>
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    <item>
      <title>Appreciation for Nanook's way of life </title>
      <link>https://nowcomment.com/documents/43758?scroll_to=474990</link>
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      <description>Nanook was depicted of being a noble savage. He lived a pretty &quot;raw&quot; life being an eskimo with his family-- a life that isn't dependent on modern technologies and is . However, I felt a deep appreciation for this way of life. Even though his son had to drink (which many modern Americans would find disgusting) the fish oil? the fish oil for his stomach ache, it seemed as if he enjoyed the taste. Nanook's &quot;noble savage&quot; way of life helped him and his family be content and happy with simple things. </description>
      <pubDate>Fri, 19 Feb 2016 15:23:11 -0500</pubDate>
    </item>
    <item>
      <title>Nanook + his family </title>
      <link>https://nowcomment.com/documents/43758?scroll_to=474989</link>
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      <description>I do not feel sorry for Nanook and his family. The purpose of a documentary is depict the true nature of a subject. Regardless of whether Flaherty was objective in shooting his film, he portrayed Nanook and his family in one perspective-- happy. Since Flaherty depicted Nanook's family to be with no issues, as an audience member, I do not have a reason to feel pity for his family. </description>
      <pubDate>Sat, 20 Feb 2016 08:26:40 -0500</pubDate>
    </item>
    <item>
      <title>Manipulated certain scenes/characters</title>
      <link>https://nowcomment.com/documents/43758?scroll_to=474987</link>
      <guid isPermaLink="true">https://nowcomment.com/documents/43758?scroll_to=474987</guid>
      <description>Personally, I believe that Flaherty should not have manipulated certain scenes and characters. In order to get the true authenticity of a documentary, one must capture the true intentions and behavior of their everyday lives. Although this may deviate from the uniform &quot;theme&quot; or &quot;message&quot; the film might be trying to promote, capturing the true spirit of the people is important to developing a documentary. Essentially, this true spirit includes the good and the bad occurrences.</description>
      <pubDate>Sat, 20 Feb 2016 08:31:51 -0500</pubDate>
    </item>
    <item>
      <title>Aesthetically Pleasing </title>
      <link>https://nowcomment.com/documents/43758?scroll_to=474984</link>
      <guid isPermaLink="true">https://nowcomment.com/documents/43758?scroll_to=474984</guid>
      <description>In my opinion, Nanook of the North was aesthetically pleasing in terms of its visual imagery. There were many wide angle shots that captured the environment of how and where Nanook's family lived. However, there were also close-up shots that showed the details of Nanook's face-- the deep lines and wrinkles. This gave a personal representation of his life. I enjoyed the variety of shots, as the images depicted were different. </description>
      <pubDate>Sat, 20 Feb 2016 08:34:27 -0500</pubDate>
    </item>
    <item>
      <title>Flaherty made it seem as if nothing was unsatisfying with the way Nanook and his family was living. They seemed happy; living with the basic essentials, and each other. This film depicted their lives in one perspective, without capturing any hardships.</title>
      <link>https://nowcomment.com/documents/43758?scroll_to=474982</link>
      <guid isPermaLink="true">https://nowcomment.com/documents/43758?scroll_to=474982</guid>
      <description></description>
      <pubDate>Sat, 20 Feb 2016 08:27:08 -0500</pubDate>
    </item>
    <item>
      <title>Native actors contribute to the authenticity of the film without extra effort to replicate certain elements. Professional actors all have their own style of acting, but native actors can depict scenarios in their natural state. </title>
      <link>https://nowcomment.com/documents/43742?scroll_to=467467</link>
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      <description></description>
      <pubDate>Wed, 10 Feb 2016 10:49:12 -0500</pubDate>
    </item>
    <item>
      <title>This statement is not the same as seeing is believing. While photographs help enhance one perspective of something, it may not represent the full authentic picture of it. </title>
      <link>https://nowcomment.com/documents/43742?scroll_to=467457</link>
      <guid isPermaLink="true">https://nowcomment.com/documents/43742?scroll_to=467457</guid>
      <description>This statement is not the same as seeing is believing. This statement is simply appraising the value of photographs-- its ability to enhance its message. However, while photographs help enhance one perspective of something, it may not represent the full authentic picture of it. Similarly to film, film can depict images in a certain way as well. </description>
      <pubDate>Tue, 09 Feb 2016 22:53:45 -0500</pubDate>
    </item>
    <item>
      <title>Films that &quot;get around&quot; are typically films that have enough production power to manipulate ideas. Exploitation in films can occur with films that have the capabilities to arrange settings and actors to depict any perspectives a filmmaker wants.</title>
      <link>https://nowcomment.com/documents/43742?scroll_to=467444</link>
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      <description></description>
      <pubDate>Tue, 09 Feb 2016 22:42:41 -0500</pubDate>
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