“Folger Digital Texts.” Edited by Rebecca Niles and Michael Poston, Folger Digital Texts, 1606, www.folgerdigitaltexts.org/?chapter=5&play=Mac&loc=p7.
  
  
  
  
  Macbeth, set primarily in Scotland, mixes witchcraft, prophecy, and murder.
  
  
  Three “Weïrd Sisters” appear to Macbeth and his comrade Banquo after a battle and prophesy that Macbeth will be king and that the descendants of Banquo will also reign.
  
  
  When Macbeth arrives at his castle, he and Lady Macbeth plot to assassinate King Duncan, soon to be their guest, so that Macbeth can become king.
  
  
  
  
  
  After Macbeth murders Duncan, the king’s two sons flee, and Macbeth is crowned.
  
  
  Fearing that Banquo’s descendants will, according to the Weïrd Sisters’ predictions, take over the kingdom, Macbeth has Banquo killed.
  
  
  At a royal banquet that evening, Macbeth sees Banquo’s ghost appear covered in blood.
  
  
  Macbeth determines to consult the Weïrd Sisters again.
  
  
  They comfort him with ambiguous promises.
  
  
  
  
  
  Another nobleman, Macduff, rides to England to join Duncan’s older son, Malcolm.
  
  
  Macbeth has Macduff’s wife and children murdered.
  
  
  Malcolm and Macduff lead an army against Macbeth, as Lady Macbeth goes mad and commits suicide.
  
  
  
  
  
  Macbeth confronts Malcolm’s army, trusting in the Weïrd Sisters’ comforting promises.
  
  
  He learns that the promises are tricks, but continues to fight.
  
  
  Macduff kills Macbeth and Malcolm becomes Scotland’s king.
  
Three Witches, the Weïrd Sisters
  
  
  
  
  DUNCAN, king of Scotland
  
  
  MALCOLM, his elder son
  
  
  DONALBAIN, Duncan’s younger son
  
  
  MACBETH, thane of Glamis
  
  
  LADY MACBETH
  
  
  SEYTON, attendant to Macbeth
  
  
  Three Murderers in Macbeth’s service
  
  
  
  
  
  A Doctor
  
  
  A Gentlewoman
  
  
  both attending upon Lady Macbeth
  
  
  A Porter
  
  
  
  
  
  BANQUO, commander, with Macbeth, of Duncan’s army
  
  
  FLEANCE, his son
  
  
  MACDUFF, a Scottish noble
  
  
  LADY MACDUFF
  
  
  Their son
  
  
  
  
  
  Scottish Nobles
  
  
  LENNOX
  
  
  ROSS
  
  
  ANGUS
  
  
  MENTEITH
  
  
  CAITHNESS
  
  
  
  
  
  SIWARD, commander of the English forces
  
  
  YOUNG SIWARD, Siward’s son
  
  
  
  
  
  A Captain in Duncan’s army
  
  
  An Old Man
  
  
  A Doctor at the English court
  
  
  
  
  
  HECATE
  
  
  Apparitions: an Armed Head, a Bloody Child, a Crowned Child,
  
  
  and eight nonspeaking kings
  
  
  
  
  
  Three Messengers, Three Servants, a Lord, a Soldier
  
  
  Attendants, a Sewer, Servants, Lords, Thanes, Soldiers (all nonspeaking)
  
Thunder and Lightning. Enter three Witches.
  
  
  
  
  FIRST WITCH 
  
  
  When shall we three meet again?
  
  
  
  
  
  In thunder, lightning, or in rain?
  
  
  
  
  
  SECOND WITCH 
  
  
  When the hurly-burly’s done,
  
  
  When the battle’s lost and won.
  
  
  
  
  
  THIRD WITCH 
  
  
  That will be ere the set of sun.
  
  
  
  
  
  FIRST WITCH 
  
  
  Where the place?
  
  
  
  
  
  SECOND WITCH Upon the heath.
  
  
  
  
  
  THIRD WITCH 
  
  
  There to meet with Macbeth.
  
  
  
  
  
  FIRST WITCH I come, Graymalkin.
  
  
  
  
  
  SECOND WITCH Paddock calls.
  
  
  
  
  
  THIRD WITCH Anon.
  
  
  
  
  
  ALL 
  
  
  Fair is foul, and foul is fair;
  
  
  Hover through the fog and filthy air.
  
  
  
  
  
  They exit.
  
  
  
  
  
  Alarum within.
  
  
  Enter King Duncan, Malcolm,
  
  
  Donalbain, Lennox, with Attendants, meeting a bleeding
  
  
  Captain.
  
  
  
  
  
  DUNCAN 
  
  
  What bloody man is that?
  
  
  He can report,
  
  
  As seemeth by his plight, of the revolt
  
  
  The newest state.
  
  
  
  
  
  MALCOLM This is the sergeant
  
  
  Who, like a good and hardy soldier, fought
  
  
  ’Gainst my captivity.—Hail, brave friend!
  
  
  
  
  
  Say to the King the knowledge of the broil
  
  
  As thou didst leave it.
  
  
  
  
  
  CAPTAIN Doubtful it stood,
  
  
  As two spent swimmers that do cling together
  
  
  And choke their art.
  
  
  The merciless Macdonwald
  
  
  (Worthy to be a rebel, for to that
  
  
  The multiplying villainies of nature
  
  
  Do swarm upon him) from the Western Isles
  
  
  Of kerns and 
  
  
  gallowglasses is supplied;
  
  
  And Fortune, on his damnèd 
  
  
  quarrel smiling,
  
  
  Showed like a rebel’s whore.
  
  
  But all’s too weak;
  
  
  For brave Macbeth (well he deserves that name),
  
  
  Disdaining Fortune, with his brandished steel,
  
  
  Which smoked with bloody execution,
  
  
  Like Valor’s minion, carved out his passage
  
  
  Till he faced the slave;
  
  
  Which ne’er shook hands, nor bade farewell to him,
  
  
  Till he unseamed him from the nave to th’ chops,
  
  
  And fixed his head upon our battlements.
  
  
  
  
  
  DUNCAN 
  
  
  O valiant cousin, worthy gentleman!
  
  
  
  
  
  CAPTAIN 
  
  
  As whence the sun ’gins his reflection
  
  
  Shipwracking storms and direful thunders break,
  
  
  So from that spring whence comfort seemed to
  
  
  come
  
  
  Discomfort swells.
  
  
  Mark, King of Scotland, mark:
  
  
  No sooner justice had, with valor armed,
  
  
  Compelled these skipping kerns to trust their heels,
  
  
  But the Norweyan lord, surveying vantage,
  
  
  With furbished arms and new supplies of men,
  
  
  Began a fresh assault.
  
  
  
  
  
  DUNCAN 
  
  
  Dismayed not this our captains, Macbeth and
  
  
  Banquo?
  
  
  
  
  
  CAPTAIN 
  
  
  Yes, as sparrows eagles, or the hare the lion.
  
  
  
  
  
  If I say sooth, I must report they were
  
  
  As cannons overcharged with double cracks,
  
  
  So they doubly redoubled strokes upon the foe.
  
  
  
  
  
  Except they meant to bathe in reeking wounds
  
  
  Or memorize another Golgotha,
  
  
  I cannot tell—
  
  
  But I am faint.
  
  
  My gashes cry for help.
  
  
  
  
  
  DUNCAN 
  
  
  So well thy words become thee as thy wounds:
  
  
  They smack of honor both.—Go, get him surgeons.
  
  
  
  
  
  The Captain is led off by Attendants.
  
Enter Ross and Angus.
  
  
  
  
  Who comes here?
  
  
  
  
  
  MALCOLM The worthy Thane of Ross.
  
  
  
  
  
  LENNOX 
  
  
  What a haste looks through his eyes!
  
  
  
  
  
  So should he look that seems to speak things
  
  
  strange.
  
  
  
  
  
  ROSS God save the King.
  
  
  
  
  
  DUNCAN Whence cam’st thou, worthy thane?
  
  
  
  
  
  ROSS From Fife, great king,
  
  
  Where the Norweyan banners flout the sky
  
  
  And fan our people cold.
  
  
  
  
  
  Norway himself, with terrible numbers,
  
  
  Assisted by that most disloyal traitor,
  
  
  The Thane of Cawdor, began a dismal conflict,
  
  
  Till that Bellona’s bridegroom, lapped in proof,
  
  
  Confronted him with self-comparisons,
  
  
  Point against point, rebellious arm ’gainst arm,
  
  
  Curbing his lavish spirit.
  
  
  And to conclude,
  
  
  The victory fell on us.
  
  
  
  
  
  DUNCAN Great happiness!
  
  
  
  
  
  ROSS That now Sweno,
  
  
  The Norways’ king, craves composition.
  
  
  
  
  
  Nor would we deign him burial of his men
  
  
  Till he disbursèd at Saint Colme’s Inch
  
  
  Ten thousand dollars to our general use.
  
  
  
  
  
  DUNCAN 
  
  
  No more that Thane of Cawdor shall deceive
  
  
  Our bosom interest.
  
  
  Go, pronounce his present
  
  
  death,
  
  
  And with his former title greet Macbeth.
  
  
  
  
  
  ROSS I’ll see it done.
  
  
  
  
  
  DUNCAN 
  
  
  What he hath lost, noble Macbeth hath won.
  
  
  
  
  
  They exit.
  
Thunder. Enter the three Witches.
  
  
  
  
  FIRST WITCH Where hast thou been, sister?
  
  
  
  
  
  SECOND WITCH Killing swine.
  
  
  
  
  
  THIRD WITCH Sister, where thou?
  
  
  
  
  
  FIRST WITCH 
  
  
  A sailor’s wife had chestnuts in her lap
  
  
  And munched and munched and munched.
  
  
  “Give
  
  
  me,” quoth I.
  
  
  “Aroint thee, witch,” the rump-fed runnion cries.
  
  
  
  
  
  Her husband’s to Aleppo gone, master o’ th’ Tiger;
  
  
  But in a sieve I’ll thither sail,
  
  
  And, like a rat without a tail,
  
  
  I’ll do, I’ll do, and I’ll do.
  
  
  
  
  
  SECOND WITCH 
  
  
  I’ll give thee a wind.
  
  
  
  
  
  FIRST WITCH 
  
  
  Th’ art kind.
  
  
  
  
  
  THIRD WITCH 
  
  
  And I another.
  
  
  
  
  
  FIRST WITCH 
  
  
  I myself have all the other,
  
  
  And the very ports they blow;
  
  
  All the quarters that they know
  
  
  I’ th’ shipman’s card.
  
  
  
  
  
  I’ll drain him dry as hay.
  
  
  
  
  
  Sleep shall neither night nor day
  
  
  Hang upon his penthouse lid.
  
  
  
  
  
  He shall live a man forbid.
  
  
  
  
  
  Weary sev’nnights, nine times nine,
  
  
  Shall he dwindle, peak, and pine.
  
  
  
  
  
  Though his bark cannot be lost,
  
  
  Yet it shall be tempest-tossed.
  
  
  
  
  
  Look what I have.
  
  
  
  
  
  SECOND WITCH Show me, show me.
  
  
  
  
  
  FIRST WITCH 
  
  
  Here I have a pilot’s thumb,
  
  
  Wracked as homeward he did come.
  
  
  Drum within.
  
  
  
  
  
  THIRD WITCH 
  
  
  A drum, a drum!
  
  
  
  
  
  Macbeth doth come.
  
  
  
  
  
  ALL, dancing in a circle 
  
  
  The Weïrd Sisters, hand in hand,
  
  
  Posters of the sea and land,
  
  
  Thus do go about, about,
  
  
  Thrice to thine and thrice to mine
  
  
  And thrice again, to make up nine.
  
  
  
  
  
  Peace, the charm’s wound up.
  
Enter Macbeth and Banquo.
  
  
  
  
  MACBETH 
  
  
  So foul and fair a day I have not seen.
  
  
  
  
  
  BANQUO 
  
  
  How far is ’t called to Forres?—What are these,
  
  
  So withered, and so wild in their attire,
  
  
  That look not like th’ inhabitants o’ th’ Earth
  
  
  And yet are on ’t?—Live you?
  
  
  Or are you aught
  
  
  That man may question?
  
  
  You seem to understand
  
  
  me
  
  
  By each at once her choppy finger laying
  
  
  Upon her skinny lips.
  
  
  You should be women,
  
  
  And yet your beards forbid me to interpret
  
  
  That you are so.
  
  
  
  
  
  MACBETH Speak if you can.
  
  
  What are you?
  
  
  
  
  
  FIRST WITCH 
  
  
  All hail, Macbeth!
  
  
  Hail to thee, Thane of Glamis!
  
  
  
  
  
  SECOND WITCH 
  
  
  All hail, Macbeth!
  
  
  Hail to thee, Thane of Cawdor!
  
  
  
  
  
  THIRD WITCH 
  
  
  All hail, Macbeth, that shalt be king hereafter!
  
  
  
  
  
  BANQUO 
  
  
  Good sir, why do you start and seem to fear
  
  
  Things that do sound so fair?—I’ th’ name of truth,
  
  
  Are you fantastical, or that indeed
  
  
  Which outwardly you show?
  
  
  My noble partner
  
  
  You greet with present grace and great prediction
  
  
  Of noble having and of royal hope,
  
  
  That he seems rapt withal.
  
  
  To me you speak not.
  
  
  
  
  
  If you can look into the seeds of time
  
  
  And say which grain will grow and which will not,
  
  
  Speak, then, to me, who neither beg nor fear
  
  
  Your favors nor your hate.
  
  
  
  
  
  FIRST WITCH Hail!
  
  
  
  
  
  SECOND WITCH Hail!
  
  
  
  
  
  THIRD WITCH Hail!
  
  
  
  
  
  FIRST WITCH 
  
  
  Lesser than Macbeth and greater.
  
  
  
  
  
  SECOND WITCH 
  
  
  Not so happy, yet much happier.
  
  
  
  
  
  THIRD WITCH 
  
  
  Thou shalt get kings, though thou be none.
  
  
  
  
  
  So all hail, Macbeth and Banquo!
  
  
  
  
  
  FIRST WITCH 
  
  
  Banquo and Macbeth, all hail!
  
  
  
  
  
  MACBETH 
  
  
  Stay, you imperfect speakers.
  
  
  Tell me more.
  
  
  
  
  
  By Sinel’s death I know I am Thane of Glamis.
  
  
  
  
  
  But how of Cawdor?
  
  
  The Thane of Cawdor lives
  
  
  A prosperous gentleman, and to be king
  
  
  Stands not within the prospect of belief,
  
  
  No more than to be Cawdor.
  
  
  Say from whence
  
  
  You owe this strange intelligence or why
  
  
  Upon this blasted heath you stop our way
  
  
  With such prophetic greeting.
  
  
  Speak, I charge you.
  
  
  
  
  
  Witches vanish.
  
  
  
  
  
  BANQUO 
  
  
  The earth hath bubbles, as the water has,
  
  
  And these are of them.
  
  
  Whither are they vanished?
  
  
  
  
  
  MACBETH 
  
  
  Into the air, and what seemed corporal melted,
  
  
  As breath into the wind.
  
  
  Would they had stayed!
  
  
  
  
  
  BANQUO 
  
  
  Were such things here as we do speak about?
  
  
  
  
  
  Or have we eaten on the insane root
  
  
  That takes the reason prisoner?
  
  
  
  
  
  MACBETH 
  
  
  Your children shall be kings.
  
  
  
  
  
  BANQUO You shall be king.
  
  
  
  
  
  MACBETH 
  
  
  And Thane of Cawdor too.
  
  
  Went it not so?
  
  
  
  
  
  BANQUO 
  
  
  To th’ selfsame tune and words.—Who’s here?
  
Enter Ross and Angus.
  
  
  
  
  ROSS 
  
  
  The King hath happily received, Macbeth,
  
  
  The news of thy success, and, when he reads
  
  
  Thy personal venture in the rebels’ fight,
  
  
  His wonders and his praises do contend
  
  
  Which should be thine or his.
  
  
  Silenced with that,
  
  
  In viewing o’er the rest o’ th’ selfsame day
  
  
  He finds thee in the stout Norweyan ranks,
  
  
  Nothing afeard of what thyself didst make,
  
  
  Strange images of death.
  
  
  As thick as tale
  
  
  Came post with post, and every one did bear
  
  
  Thy praises in his kingdom’s great defense,
  
  
  And poured them down before him.
  
  
  
  
  
  ANGUS We are sent
  
  
  To give thee from our royal master thanks,
  
  
  Only to herald thee into his sight,
  
  
  Not pay thee.
  
  
  
  
  
  ROSS 
  
  
  And for an earnest of a greater honor,
  
  
  He bade me, from him, call thee Thane of Cawdor,
  
  
  In which addition, hail, most worthy thane,
  
  
  For it is thine.
  
  
  
  
  
  BANQUO What, can the devil speak true?
  
  
  
  
  
  MACBETH 
  
  
  The Thane of Cawdor lives.
  
  
  Why do you dress me
  
  
  In borrowed robes?
  
  
  
  
  
  ANGUS Who was the Thane lives yet,
  
  
  But under heavy judgment bears that life
  
  
  Which he deserves to lose.
  
  
  Whether he was
  
  
  combined
  
  
  With those of Norway, or did line the rebel
  
  
  With hidden help and vantage, or that with both
  
  
  He labored in his country’s wrack, I know not;
  
  
  But treasons capital, confessed and proved,
  
  
  Have overthrown him.
  
  
  
  
  
  MACBETH, 
  
  
  aside Glamis and Thane of Cawdor!
  
  
  
  
  
  The greatest is behind.
  
  
   To Ross and Angus.
  
  
  Thanks
  
  
  for your pains.
  
  
  
  
  
  Aside to Banquo.
  
  
  Do you not hope your children
  
  
  shall be kings,
  
  
  When those that gave the Thane of Cawdor to me
  
  
  Promised no less to them?
  
  
  
  
  
  BANQUO That, trusted home,
  
  
  Might yet enkindle you unto the crown,
  
  
  Besides the Thane of Cawdor.
  
  
  But ’tis strange.
  
  
  
  
  
  And oftentimes, to win us to our harm,
  
  
  The instruments of darkness tell us truths,
  
  
  Win us with honest trifles, to betray ’s
  
  
  In deepest consequence.—
  
  
  Cousins, a word, I pray you.They step aside.
  
  
  
  
  
  MACBETH, 
  
  
  aside Two truths are told
  
  
  As happy prologues to the swelling act
  
  
  Of the imperial theme.—I thank you, gentlemen.
  
  
  
  
  
  Aside.
  
  
  This supernatural soliciting
  
  
  Cannot be ill, cannot be good.
  
  
  If ill,
  
  
  Why hath it given me earnest of success
  
  
  Commencing in a truth?
  
  
  I am Thane of Cawdor.
  
  
  
  
  
  If good, why do I yield to that suggestion
  
  
  Whose horrid image doth unfix my hair
  
  
  And make my seated heart knock at my ribs
  
  
  Against the use of nature?
  
  
  Present fears
  
  
  Are less than horrible imaginings.
  
  
  
  
  
  My thought, whose murder yet is but fantastical,
  
  
  Shakes so my single state of man
  
  
  That function is smothered in surmise,
  
  
  And nothing is but what is not.
  
  
  
  
  
  BANQUO Look how our partner’s rapt.
  
  
  
  
  
  MACBETH, 
  
  
  aside 
  
  
  If chance will have me king, why, chance may
  
  
  crown me
  
  
  Without my stir.
  
  
  
  
  
  BANQUO New honors come upon him,
  
  
  Like our strange garments, cleave not to their mold
  
  
  But with the aid of use.
  
  
  
  
  
  MACBETH, 
  
  
  aside Come what come may,
  
  
  Time and the hour runs through the roughest day.
  
  
  
  
  
  BANQUO 
  
  
  Worthy Macbeth, we stay upon your leisure.
  
  
  
  
  
  MACBETH 
  
  
  Give me your favor.
  
  
  My dull brain was wrought
  
  
  With things forgotten.
  
  
  Kind gentlemen, your pains
  
  
  Are registered where every day I turn
  
  
  The leaf to read them.
  
  
  Let us toward the King.
  
  
  
  
  
  Aside to Banquo.
  
  
  Think upon what hath chanced,
  
  
  and at more time,
  
  
  The interim having weighed it, let us speak
  
  
  Our free hearts each to other.
  
  
  
  
  
  BANQUO Very gladly.
  
  
  
  
  
  MACBETH Till then, enough.—Come, friends.
  
  
  
  
  
  They exit.
  
  
  
  
  
  Flourish.
  
  
  Enter King Duncan, Lennox, Malcolm,
  
  
  Donalbain, and Attendants.
  
  
  
  
  
  DUNCAN 
  
  
  Is execution done on Cawdor?
  
  
  
  
  
  Are not
  
  
  Those in commission yet returned?
  
  
  
  
  
  MALCOLM My liege,
  
  
  They are not yet come back.
  
  
  But I have spoke
  
  
  With one that saw him die, who did report
  
  
  That very frankly he confessed his treasons,
  
  
  Implored your Highness’ pardon, and set forth
  
  
  A deep repentance.
  
  
  Nothing in his life
  
  
  Became him like the leaving it.
  
  
  He died
  
  
  As one that had been studied in his death
  
  
  To throw away the dearest thing he owed
  
  
  As ’twere a careless trifle.
  
  
  
  
  
  DUNCAN There’s no art
  
  
  To find the mind’s construction in the face.
  
  
  
  
  
  He was a gentleman on whom I built
  
  
  An absolute trust.
  
Enter Macbeth, Banquo, Ross, and Angus.
  
  
  
  
  O worthiest cousin,
  
  
  The sin of my ingratitude even now
  
  
  Was heavy on me.
  
  
  Thou art so far before
  
  
  That swiftest wing of recompense is slow
  
  
  To overtake thee.
  
  
  Would thou hadst less deserved,
  
  
  That the proportion both of thanks and payment
  
  
  Might have been mine!
  
  
  Only I have left to say,
  
  
  More is thy due than more than all can pay.
  
  
  
  
  
  MACBETH 
  
  
  The service and the loyalty I owe
  
  
  In doing it pays itself.
  
  
  Your Highness’ part
  
  
  Is to receive our duties, and our duties
  
  
  Are to your throne and state children and servants,
  
  
  Which do but what they should by doing everything
  
  
  Safe toward your love and honor.
  
  
  
  
  
  DUNCAN Welcome hither.
  
  
  
  
  
  I have begun to plant thee and will labor
  
  
  To make thee full of growing.—Noble Banquo,
  
  
  That hast no less deserved nor must be known
  
  
  No less to have done so, let me enfold thee
  
  
  And hold thee to my heart.
  
  
  
  
  
  BANQUO There, if I grow,
  
  
  The harvest is your own.
  
  
  
  
  
  DUNCAN My plenteous joys,
  
  
  Wanton in fullness, seek to hide themselves
  
  
  In drops of sorrow.—Sons, kinsmen, thanes,
  
  
  And you whose places are the nearest, know
  
  
  We will establish our estate upon
  
  
  Our eldest, Malcolm, whom we name hereafter
  
  
  The Prince of Cumberland; which honor must
  
  
  Not unaccompanied invest him only,
  
  
  But signs of nobleness, like stars, shall shine
  
  
  On all deservers.—From hence to Inverness
  
  
  And bind us further to you.
  
  
  
  
  
  MACBETH 
  
  
  The rest is labor which is not used for you.
  
  
  
  
  
  I’ll be myself the harbinger and make joyful
  
  
  The hearing of my wife with your approach.
  
  
  
  
  
  So humbly take my leave.
  
  
  
  
  
  DUNCAN My worthy Cawdor.
  
  
  
  
  
  MACBETH, 
  
  
  aside 
  
  
  The Prince of Cumberland!
  
  
  That is a step
  
  
  On which I must fall down or else o’erleap,
  
  
  For in my way it lies.
  
  
  Stars, hide your fires;
  
  
  Let not light see my black and deep desires.
  
  
  
  
  
  The eye wink at the hand, yet let that be
  
  
  Which the eye fears, when it is done, to see.
  
  
  
  
  
  He exits.
  
  
  
  
  
  DUNCAN 
  
  
  True, worthy Banquo.
  
  
  He is full so valiant,
  
  
  And in his commendations I am fed:
  
  
  It is a banquet to me.—Let’s after him,
  
  
  Whose care is gone before to bid us welcome.
  
  
  
  
  
  It is a peerless kinsman.
  
  
  
  
  
  Flourish.
  
  
  They exit.
  
Enter Macbeth’s Wife, alone, with a letter.
  
  
  
  
  LADY MACBETH, reading the letter They met me in the
  
  
  day of success, and I have learned by the perfect’st
  
  
  report they have more in them than mortal knowledge.
  
  
  
  
  
  When I burned in desire to question them further, they
  
  
  made themselves air, into which they vanished.
  
  
  
  
  
  Whiles I stood rapt in the wonder of it came missives
  
  
  from the King, who all-hailed me “Thane of Cawdor,”
  
  
  by which title, before, these Weïrd Sisters saluted me
  
  
  and referred me to the coming on of time with “Hail,
  
  
  king that shalt be.”
  
  
  This have I thought good to deliver
  
  
  thee, my dearest partner of greatness, that thou
  
  
  might’st not lose the dues of rejoicing by being ignorant
  
  
  of what greatness is promised thee.
  
  
  Lay it to thy
  
  
  heart, and farewell.
  
  
  
  
  
  Glamis thou art, and Cawdor, and shalt be
  
  
  What thou art promised.
  
  
  Yet do I fear thy nature;
  
  
  It is too full o’ th’ milk of human kindness
  
  
  To catch the nearest way.
  
  
  Thou wouldst be great,
  
  
  Art not without ambition, but without
  
  
  The illness should attend it.
  
  
  What thou wouldst
  
  
  highly,
  
  
  That wouldst thou holily; wouldst not play false
  
  
  And yet wouldst wrongly win.
  
  
  Thou ’dst have, great
  
  
  Glamis,
  
  
  That which cries “Thus thou must do,” if thou have
  
  
  it,
  
  
  And that which rather thou dost fear to do,
  
  
  Than wishest should be undone.
  
  
  Hie thee hither,
  
  
  That I may pour my spirits in thine ear
  
  
  And chastise with the valor of my tongue
  
  
  All that impedes thee from the golden round,
  
  
  Which fate and metaphysical aid doth seem
  
  
  To have thee crowned withal.
  
  
  
  
  
  Enter Messenger.
  
  
  
  
  
  What is your tidings?
  
  
  
  
  
  MESSENGER 
  
  
  The King comes here tonight.
  
  
  
  
  
  LADY MACBETH Thou ’rt mad to say it.
  
  
  
  
  
  Is not thy master with him, who, were ’t so,
  
  
  Would have informed for preparation?
  
  
  
  
  
  MESSENGER 
  
  
  So please you, it is true.
  
  
  Our thane is coming.
  
  
  
  
  
  One of my fellows had the speed of him,
  
  
  Who, almost dead for breath, had scarcely more
  
  
  Than would make up his message.
  
  
  
  
  
  LADY MACBETH Give him tending.
  
  
  
  
  
  He brings great news.Messenger exits.
  
  
  
  
  
  The raven himself is hoarse
  
  
  That croaks the fatal entrance of Duncan
  
  
  Under my battlements.
  
  
  Come, you spirits
  
  
  That tend on mortal thoughts, unsex me here,
  
  
  And fill me from the crown to the toe top-full
  
  
  Of direst cruelty.
  
  
  Make thick my blood.
  
  
  
  
  
  Stop up th’ access and passage to remorse,
  
  
  That no compunctious visitings of nature
  
  
  Shake my fell purpose, nor keep peace between
  
  
  Th’ effect and it.
  
  
  Come to my woman’s breasts
  
  
  And take my milk for gall, you murd’ring ministers,
  
  
  Wherever in your sightless substances
  
  
  You wait on nature’s mischief.
  
  
  Come, thick night,
  
  
  And pall thee in the dunnest smoke of hell,
  
  
  That my keen knife see not the wound it makes,
  
  
  Nor heaven peep through the blanket of the dark
  
  
  To cry “Hold, hold!”
  
Enter Macbeth.
  
  
  
  
  Great Glamis, worthy Cawdor,
  
  
  Greater than both by the all-hail hereafter!
  
  
  
  
  
  Thy letters have transported me beyond
  
  
  This ignorant present, and I feel now
  
  
  The future in the instant.
  
  
  
  
  
  MACBETH My dearest love,
  
  
  Duncan comes here tonight.
  
  
  
  
  
  LADY MACBETH And when goes hence?
  
  
  
  
  
  MACBETH 
  
  
  Tomorrow, as he purposes.
  
  
  
  
  
  LADY MACBETH O, never
  
  
  Shall sun that morrow see!
  
  
  
  
  
  Your face, my thane, is as a book where men
  
  
  May read strange matters.
  
  
  To beguile the time,
  
  
  Look like the time.
  
  
  Bear welcome in your eye,
  
  
  Your hand, your tongue.
  
  
  Look like th’ innocent
  
  
  flower,
  
  
  But be the serpent under ’t.
  
  
  He that’s coming
  
  
  Must be provided for; and you shall put
  
  
  This night’s great business into my dispatch,
  
  
  Which shall to all our nights and days to come
  
  
  Give solely sovereign sway and masterdom.
  
  
  
  
  
  MACBETH 
  
  
  We will speak further.
  
  
  
  
  
  LADY MACBETH Only look up clear.
  
  
  
  
  
  To alter favor ever is to fear.
  
  
  
  
  
  Leave all the rest to me.
  
  
  
  
  
  They exit.
  
  
  
  
  
  Hautboys and Torches.
  
  
  Enter King Duncan, Malcolm,
  
  
  Donalbain, Banquo, Lennox, Macduff, Ross, Angus, and
  
  
  Attendants.
  
  
  
  
  
  DUNCAN 
  
  
  This castle hath a pleasant seat.
  
  
  The air
  
  
  Nimbly and sweetly recommends itself
  
  
  Unto our gentle senses.
  
  
  
  
  
  BANQUO This guest of summer,
  
  
  The temple-haunting martlet, does approve,
  
  
  By his loved mansionry, that the heaven’s breath
  
  
  Smells wooingly here.
  
  
  No jutty, frieze,
  
  
  Buttress, nor coign of vantage, but this bird
  
  
  Hath made his pendant bed and procreant cradle.
  
  
  
  
  
  Where they 
  
  
  most breed and haunt, I have
  
  
  observed,
  
  
  The air is delicate.
  
Enter Lady Macbeth.
  
  
  
  
  DUNCAN See, see our honored hostess!—
  
  
  The love that follows us sometime is our trouble,
  
  
  Which still we thank as love.
  
  
  Herein I teach you
  
  
  How you shall bid God ’ild us for your pains
  
  
  And thank us for your trouble.
  
  
  
  
  
  LADY MACBETH All our service,
  
  
  In every point twice done and then done double,
  
  
  Were poor and single business to contend
  
  
  Against those honors deep and broad wherewith
  
  
  Your Majesty loads our house.
  
  
  For those of old,
  
  
  And the late dignities heaped up to them,
  
  
  We rest your hermits.
  
  
  
  
  
  DUNCAN Where’s the Thane of Cawdor?
  
  
  
  
  
  We coursed him at the heels and had a purpose
  
  
  To be his purveyor; but he rides well,
  
  
  And his great love, sharp as his spur, hath helped
  
  
  him
  
  
  To his home before us.
  
  
  Fair and noble hostess,
  
  
  We are your guest tonight.
  
  
  
  
  
  LADY MACBETH Your servants ever
  
  
  Have theirs, themselves, and what is theirs in compt
  
  
  To make their audit at your Highness’ pleasure,
  
  
  Still to return your own.
  
  
  
  
  
  DUNCAN Give me your hand.
  
  
  
  
  
  Taking her hand.
  
  
  
  
  
  Conduct me to mine host.
  
  
  We love him highly
  
  
  And shall continue our graces towards him.
  
  
  
  
  
  By your leave, hostess.
  
  
  
  
  
  They exit.
  
  
  
  
  
  Hautboys.
  
  
  Torches.
  
  
  Enter a Sewer and divers Servants
  
  
  with dishes and service over the stage.
  
  
  Then enter
  
  
  Macbeth.
  
  
  
  
  
  MACBETH 
  
  
  If it were done when ’tis done, then ’twere well
  
  
  It were done quickly.
  
  
  If th’ assassination
  
  
  Could trammel up the consequence and catch
  
  
  With his surcease success, that but this blow
  
  
  Might be the be-all and the end-all here,
  
  
  But here, upon this bank and 
  
  
  shoal of time,
  
  
  We’d jump the life to come.
  
  
  But in these cases
  
  
  We still have judgment here, that we but teach
  
  
  Bloody instructions, which, being taught, return
  
  
  To plague th’ inventor.
  
  
  This even-handed justice
  
  
  Commends th’ ingredience of our poisoned chalice
  
  
  To our own lips.
  
  
  He’s here in double trust:
  
  
  First, as I am his kinsman and his subject,
  
  
  Strong both against the deed; then, as his host,
  
  
  Who should against his murderer shut the door,
  
  
  Not bear the knife myself.
  
  
  Besides, this Duncan
  
  
  Hath borne his faculties so meek, hath been
  
  
  So clear in his great office, that his virtues
  
  
  Will plead like angels, trumpet-tongued, against
  
  
  The deep damnation of his taking-off;
  
  
  And pity, like a naked newborn babe
  
  
  Striding the blast, or heaven’s cherubin horsed
  
  
  Upon the sightless couriers of the air,
  
  
  Shall blow the horrid deed in every eye,
  
  
  That tears shall drown the wind.
  
  
  I have no spur
  
  
  To prick the sides of my intent, but only
  
  
  Vaulting ambition, which o’erleaps itself
  
  
  And falls on th’ other—
  
Enter Lady Macbeth.
  
  
  
  
  How now, what news?
  
  
  
  
  
  LADY MACBETH 
  
  
  He has almost supped.
  
  
  Why have you left the
  
  
  chamber?
  
  
  
  
  
  MACBETH 
  
  
  Hath he asked for me?
  
  
  
  
  
  LADY MACBETH Know you not he has?
  
  
  
  
  
  MACBETH 
  
  
  We will proceed no further in this business.
  
  
  
  
  
  He hath honored me of late, and I have bought
  
  
  Golden opinions from all sorts of people,
  
  
  Which would be worn now in their newest gloss,
  
  
  Not cast aside so soon.
  
  
  
  
  
  LADY MACBETH Was the hope drunk
  
  
  Wherein you dressed yourself?
  
  
  Hath it slept since?
  
  
  
  
  
  And wakes it now, to look so green and pale
  
  
  At what it did so freely?
  
  
  From this time
  
  
  Such I account thy love.
  
  
  Art thou afeard
  
  
  To be the same in thine own act and valor
  
  
  As thou art in desire?
  
  
  Wouldst thou have that
  
  
  Which thou esteem’st the ornament of life
  
  
  And live a coward in thine own esteem,
  
  
  Letting “I dare not” wait upon “I would,”
  
  
  Like the poor cat i’ th’ adage?
  
  
  
  
  
  MACBETH Prithee, peace.
  
  
  
  
  
  I dare do all that may become a man.
  
  
  
  
  
  Who dares 
  
  
  do more is none.
  
  
  
  
  
  LADY MACBETH What beast was ’t,
  
  
  then,
  
  
  That made you break this enterprise to me?
  
  
  
  
  
  When you durst do it, then you were a man;
  
  
  And to be more than what you were, you would
  
  
  Be so much more the man.
  
  
  Nor time nor place
  
  
  Did then adhere, and yet you would make both.
  
  
  
  
  
  They have made themselves, and that their fitness
  
  
  now
  
  
  Does unmake you.
  
  
  I have given suck, and know
  
  
  How tender ’tis to love the babe that milks me.
  
  
  
  
  
  I would, while it was smiling in my face,
  
  
  Have plucked my nipple from his boneless gums
  
  
  And dashed the brains out, had I so sworn as you
  
  
  Have done to this.
  
  
  
  
  
  MACBETH If we should fail—
  
  
  LADY MACBETH We fail?
  
  
  
  
  
  But screw your courage to the sticking place
  
  
  And we’ll not fail.
  
  
  When Duncan is asleep
  
  
  (Whereto the rather shall his day’s hard journey
  
  
  Soundly invite him), his two chamberlains
  
  
  Will I with wine and wassail so convince
  
  
  That memory, the warder of the brain,
  
  
  Shall be a fume, and the receipt of reason
  
  
  A limbeck only.
  
  
  When in swinish sleep
  
  
  Their drenchèd natures lies as in a death,
  
  
  What cannot you and I perform upon
  
  
  Th’ unguarded Duncan?
  
  
  What not put upon
  
  
  His spongy officers, who shall bear the guilt
  
  
  Of our great quell?
  
  
  
  
  
  MACBETH Bring forth men-children only,
  
  
  For thy undaunted mettle should compose
  
  
  Nothing but males.
  
  
  Will it not be received,
  
  
  When we have marked with blood those sleepy two
  
  
  Of his own chamber and used their very daggers,
  
  
  That they have done ’t?
  
  
  
  
  
  LADY MACBETH Who dares receive it other,
  
  
  As we shall make our griefs and clamor roar
  
  
  Upon his death?
  
  
  
  
  
  MACBETH I am settled and bend up
  
  
  Each corporal agent to this terrible feat.
  
  
  
  
  
  Away, and mock the time with fairest show.
  
  
  
  
  
  False face must hide what the false heart doth
  
  
  know.
  
  
  
  
  
  They exit.
  
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Witchcraft: The old lady, Enyaba, from Stardust Crusaders and all her weird magic stuff.
Prophecy: The entirety of Battle Tendency with the Pillarmen and the whole “Perfect Kars” thing.
Murder: It started in Phantom Blood when Dio killed Jonothan’s dog, Danny. And it will never end. Never.
Yeah its kinda a description of Jojo’s Bizarre Adventure.
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while I was reading this it made me think because of the way it’s written and how he called the 3 witches weird sisters
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From the old English WYRD, meaning a predetermined fate: the Wyrd Sisters can see the future
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yeehaw
yeehaw
they practically give up the throne instead of protecting it which seems a bit strange,
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I think that they fled in fear of their life and because they knew that whoever wanted the throne was goind to try to eliminate them. If they weren’t killed, the eldest would have tried to campaign for king and probably one
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While I was reading this it reminded me of a scary movie because of the way that it was written.
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He calls the 3 witches weird sisters. that Interests me because it didn’t say they were sisters in the book
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why were they doing this?
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I wouldnt trust them even if they knew the future. If their promised and assurances are ambiguous or vague, then I’d think the future might be bad for me.
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This comment was deleted by Kiran Chaudhuri at Sep 18 2019 3:51PM.
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This comment was deleted by Kiran Chaudhuri at Sep 18 2019 3:52PM.
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This comment was deleted by Kiran Chaudhuri at Oct 16 2019 2:21PM.
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Lady Macbeth is the character I feel sorry for the most. She tried to be brave and order Macbeth into making them royalty but once she realization that she is responsible for multitude of murders, she couldn’t handle the guilt.
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Its funny that they bring up Seyton as a main character. He only makes an important appearance in scene five and for only a few lines.
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when they said “both attending upon lady macbeth” it made me think because it sounds weird and odd and it didn’t make sense to me ,on why there saying that.
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why are they all non speaking?
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I wonder why the witch says “I come, Graymalkin.” It might be an animal, like a cat, that they use for their witchcraft.
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this is telling us that the witches are planning on reuniting again to meet with macbeth soon.
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The phrase fair is foul and foul is fair can be interpreted through the Macbeths. Lady Macbeth is perieved to be gentle and caring because she is a Woman, fair. But in reality she desires to murder king Duncan. A lot of people think that Macbeth is the villian of this play but his actions can be interpreted in different ways. At first glance Macbeth is obviously the villian, he murderd his king in cold blood, which is foul. But as we know Macbeth was exteremly digusted by the fact he was murdering his king, infact he couldnt even bring himself to say that he would kill the king when contiplating murdering him. He would jsut say that the king was ‘gone’ and such, which is not foul despite his actions
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I think the witches are asking when they gonna. I feel like they are going to planning when they are gonna meet again with Macbeth. I like that they are planning and not just meeting out of the blue. So know we know they are coming back.
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Does this mean that the 3 Witches only meet in thunder, lightning or rain?
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why does the weather have to be dark? why cant it be in a bright weather?
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This is showing when the witches will meet up to to tell macbeth a prophecy.
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the three witches are referring to the end of the war as “when the hurly-burley’s done”
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Are they saying that they are meeting with Macbeth when the hurly-burly’s done? Why is the name hurly-burly’s for the battle ?
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i think he used rhyming to give the play a poetic feel
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Similar to Hecate’s monologue, it is spoken in a way that is breathy and takes up space.
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it doesn’t make sense, how can you win and lose a battle?
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why are they using such strange words like “ere”
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yeehaw
yeehaw
Does this mean that the three witches have the ability to know what happens in the future? how will this impact the story later on?
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yeehaw
yeehaw
Will Graymalkin have a larger role to play in the story later on?
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The second witch says Paddock calls, is it there boss or leader because right after they leave.
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in the glossary, it shows anon as immediately, explains why not used as a name, like graymalkin or paddock.
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Paul Allison is a nationally-known educator and EdTech expert… (more)
Paul Allison is a nationally-known educator and EdTech expert… (more)
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Paul Allison is a nationally-known educator and EdTech expert… (more)
Paul Allison is a nationally-known educator and EdTech expert… (more)
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in the summary it says anon: immediately (perhaps, the response of the third witch to her familiar.
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yes i agree
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im guessing its like a spell
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what does it mean? is it like describing the weather or..?
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I think this means that they are doing a witch craft. The author is saying a spell. The main point is that they doing on Macbeth.
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are they saying nothing in life is fair and everything fair is not fair ?
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fair means that something is attractive and foul means that something is revolting. This sentence means that things that seem to be fair and attractive are actually foul and ugly in reality. It also means that something that seems to be ugly or foul is actually fair on the inside
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Is this the end of a spell?
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Do the witches only see Macbeth or do they see other people about prophecies
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In other words, the Captain is telling us that Macbeth’s morals had a large role to play in his fight against the Traitor (or slave as used in line 20).
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Someone is hurt and they don’t know who it is.
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what do you mean by ‘’showed like a rebels whore’’
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i wonder if this is mentioned figuratively as a mistress would be kept hidden
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i think that macbeth being able to have the power as king wont be a good thing bc he murdered duncan bc he wante to be king
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Macbeth is first described as brave like he is one of the best in the battle field. Also it also states that he deserves a name and that he should be recognized.
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Who is the slave in this play?
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This means Macbeth ripped him open from the navel to his jaw according to the translation on the book.
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This scene makes Macbeth be seen as ruthless on the battle field because how could he kill someone like this.
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yeehaw
yeehaw
perhaps the trust that the king has towards Macbeth will end similarly to how his friend the old thane of Cawdor betrayed him
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Maybe the play was set up like this to hint at The Macbeth’s plan to kill King Duncan.
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The last word really got me, like why lion?
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I think they chose lion because a lion is strong and fierce
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why would there gashes cry for help?
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i wonder if he’s trying to say he’s injured and needs medical attention or if he’s emotionally hurt
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Maybe this is another kingdom?
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how does one become a lennox
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i dont understand🤔
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yeehaw
yeehaw
do ross and lennox know that the old thane was a friend of the king?
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I think this means: he as in the traitor, and previous thane of cawdor, the ‘noble’ Macbeth. The previous thane of cawdor lost this title as thane of cawdor. Macbeth has won, the title of thane of cawdor.
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what does this mean
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yeehaw
yeehaw
perhaps it was for some sort of ritual? or perhaps this can be foreshadowing to how Macbeth mercilessly slaughters McDuff’s innocent family later on
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Oh. I checked the British Library site, and found out that witch craft was a very popular topic at the time, and he included witches/witchctaft to interest the reigning monarch.
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what do you guys thing ‘’i’ th’ shipmans card? is it like i think or…
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in what way will they drain him?
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do they not sleep? or they just stay up all night
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the witches are such strange creatures, they have just predicted macbeths future and are now waiting for him to come so they can tell him only to disappear right after.
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What this paragraph is about is how the three witches are preparing for Macbeths arrival,by casting a spell with a sailors thumb.
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I think they’re doing a ritual of some sort
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Maybe something could’ve been how he was the hero of the war
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im guessing that foul and fair can mean traitors and loyals? im guessing what foul and fair really means in the play because it usally means like a mistake and something justifyable
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yeehaw
yeehaw
could this possibly be a reference to line 12 where the witches say "fair is foul and foul is fair; could they possibly have been able to affect the outcomes of Macbeth’s day?
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i think he’s talking about the bloody war yet he could be talking about the weather
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this line reminds me of the witches line “fair is foul and foul is fair” but they are a bit different because of the ‘and’
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hahahaa i have skinny lips
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I think Banquo recognizes that they are Woman but their beards (next line) or ugly appearances are throwing him off
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here banquo is trying to imply that the witches seem to be women but their outer appearence makes it seem other wise.
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Macbeth wants to know who the witches are why they’re approaching him, and how they know what they’re telling him. this reminds me of a time when I was approached by people by who I didn’t know but they knew me, I asked how they knew mw and they said they asked their friends about me because they loved my style. we immediately became friends and it was great! this situation greatly differs however its similar in a away that Macbeth didn’t know the and the witches approached him.
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this is where they alert macbeth that he will be king
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yeehaw
yeehaw
Is there perhaps a sinister connotation to the “good fortunes” that the witches have proclaimed?
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After what the witches told him about his prophesy, and how he is going to be king he wanted to hear more like he really wants it.
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banqou and macnbeth have no idea that the witches are granting macbeth a chance to be king
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he wonders and asks how theyre giving him this information and how they obtained it
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banquo wonders if theyve eaten something such as a psychedelic drug which is causing them to hallucinate the three witches and their predictions
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After Macbeth talked to the witches, he found out that he will have the utmost of success. He discovered that he will become king and the thane of cawdor, but he wont just get there.
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Banquo is shocked that Macbeth was just told that he has become Thane of Cawdor because that means that the witches were real and really gave them prophecies. And that is probably making Banquo think about the other prophecies that could also come true, that Macbeth will be king, and that he will be the father of kings.
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Banquo says “…can the devil speak true?” i think that he is referring t the witches as the devil. How can what the witches said affect them in the future.
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yeehaw
yeehaw
as the witches had originally said; “fair is fowl and fowl is fair” the theme of people and events might not being as they seem repeats
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yeehaw
yeehaw
this is strange since it adds somewhat of a darker tone on what is occurring in the play, adding to that theme that was present from the first scene (not everything is as it seems)
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yeehaw
yeehaw
he has just been told that he will become king one day, and he is already trying to find the quickest route to the throne.
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why would someone throw away the dearest thing he owned
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yeehaw
yeehaw
this is most likely due to the “trust” that the king had with him, as aforementioned in the text.
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yeehaw
yeehaw
this can relate to the way Macbeth also betrays king duncan, despite being trusted by him
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yeehaw
yeehaw
this shows how trusting king Duncan is towards Macbeth, a virtue that later gets taken advantage of he very man he considers a friend later on in the story.
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yeehaw
yeehaw
this event in the story starkly contrasts Macbeth’s later actions towards king Duncan, once he is convinced that there is a faster way to fulfil the witch’s main prophesy.
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what do they mean when they say labor? do they mean birth?
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Macbeth thought that he would be heir because the witches gave him the prophecy that he will be king. And since him becoming Thane of Cawdor became true he thought him becoming king would also be true. And i think he became attached to this idea of him gaining power and now that it hasn’t been given to him he is upset because he wants to be king.
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macbeth refers to the three witches as weird sisters in his letter to lady macbeth
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yeehaw
yeehaw
lady Macbeth seems like she wants to make Macbeth less remorseful for whatever she is planning-
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they are talking about sprits, and there own sprits too!!!!!
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yeehaw
yeehaw
this passage explicitly shows how lady Macbeth is deciding to react towards the witches’ prophecy of Macbeth becoming king- seeming like she wants to destroy the current king in order to get the crown for her and her husband.
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lady macbeth seems angered by the information that macbeth is going to be there that night and she wasnt given enough time for preperation
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yeehaw
yeehaw
this further shows how assertive lady macbeth is, and how she wants to gain power no matter what.
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what kind of news would it be if its great news?
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lady macbeth says come you spirits and it seems as if shes performing witchcraft
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lady macbeth pleads to the spirits to “unsex” her and make her not into a woman she pleads for them to take her milk in her breast for gall (bile)
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yeehaw
yeehaw
perhaps the way she asks the spirits to remove her remorse shows that she cannot truly accept murder the way she usually is- meaning without the spirits help she wouldn’t be able to bear it (just like when she can’t get over the murder of Macduff’s family later on)
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Lady Macbeth wants to be like a man. Meaning able to be cruel and violent. She, as a woman, is not able to be that due to heavy societal norms. So she wishes to be like a man in order to take matters into her own hands and kill Duncan herself.
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yeehaw
yeehaw
it seems like she is wishing to be rid of remorse and guilt for the crime she is planning on committing in order to gain power.
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I wonder how she just came up with that. I’d assume that in the 11th century, sciences of the human organs weren’t nearly as advanced and known as they are today. So, It wouldn’t make sense for Lady Macbeth to know what gall is and what it does. She says “And take my [breast] milk for gall,”, meaning that she wishes for her breasts to be gone by their milk being replaced with gall (a corrosive acid) so her breasts are (in a literal sense) dissolved from the inside out, leaving her one step closer to being like a man. After that information. I wonder how Lady Macbeth knew what gall was and what it does given the time period. Maybe I found an inconsistency in the plot?
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yeehaw
yeehaw
however, this is a bit contradictory since she is the one who convinces Macbeth to kill duncan, showing that maybe she isn’t really capable of murdering someone as she explains in the spell
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yeehaw
yeehaw
mentions that he will not see the light of the next day- said without any remorse
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yeehaw
yeehaw
lady Macbeth convinces him to wear a false face- and act like he is innocent, so that is not found suspicious to the king
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Maybe she is so eager for this power or whatever she is looking for to forget about her dead child. And she is not going to let anything stop her and get in her way.
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yeehaw
yeehaw
Banquo appears as if he is becoming more and more suspicious of the event- noting that he feels a bit off and uncomfortable in the environment he’s in.
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yeehaw
yeehaw
she wants to appear as the perfect hostess, so that any trail of linking her to the murder is overlooked
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why would love that follows them be trouble?
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yeehaw
yeehaw
perhaps lady Macbeth is covering for him so he can prepare for the murder to take place.
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they have a strong soul, and helped the person through out the way
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yeehaw
yeehaw
is this perhaps when they plan on committing the murder?
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do they mean a bank where all the money goes?
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yeehaw
yeehaw
Macbeth is revealed to not only be one of the king’s subjects, but also one of the king’s own relatives.
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yeehaw
yeehaw
he feels responsible for the king since he is his host- and should be protecting him instead of causing him harm.
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yeehaw
yeehaw
he says that he has no other reasons to kill than his pure ambition and desire for power, as the witches have prophesized.
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yeehaw
yeehaw
lady Macbeth later tells him that he is not a man if he does not kill the king, and that if she was in his position; she wouldn’t even think twice about it.
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yeehaw
yeehaw
he still shows reluctantness towards the murder
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Lady macbeth kinda seems to be threating his masculinity to try and get him to man up and do the job. Macbeth would most likley not want to see his own wife look down on him as less of a man than he is.
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I think lady macbeth is offended that macbeth would suggest they would fail. After this she trys to convince macbeth to reconsider dropping the plan so she hypes him up and trys to give him the courage to go through with killing duncan. It is very obvious that lady macbeth wants his kingmanship more than he does.
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They might mean that the memory will always be there, always be in there brain
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Macbeth is saying that lady macbeth is being so ruthless that she would only bring fourth children who are male.
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yeehaw
yeehaw
they discuss how they will kill the king with dagger in the night, and frame the servants for the killing
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Macbeth has been convinced, this line is another example of lines like ‘fair is foul and foul is fair’ Macbeth knows that his ‘face’ can not reveal the nature of his ‘heart’
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He is saying that their faces need to hide the truth, this is the “false face”. And they must hide the terrible thing they did which was kill Duncan. The murder is “what the false heart doth know”. So they both know the truth but no one else can.
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He is saying that their faces need to hide the truth, this is the “false face”. And they must hide the terrible thing they did which was kill Duncan. The murder is “what the false heart doth know”. So they both know the truth but no one else can.
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