“Part 1: When It Happens - Eleven to Fifteen.” The Hate U Give, by Angie Thomas, Balzer & Bray/Harperteen, 2017, pp. 182-276.
Monday morning, I know something is up when I first step into Williamson. Folks are quiet as hell. Well, whispering really, in little huddles in the halls and the atrium like they’re discussing plays during a basketball game.
Hailey and Maya find me before I find them. “Did you get the text?” Hailey asks.
That’s the first thing she says. No hey or anything. I still don’t have my phone, so I’m like, “What text?”
She shows me hers. There’s a big group text with about a hundred names on it. Hailey’s older brother, Remy, sent out the first message.
Protesting today @ 1st period.
Then curly-haired, dimpled Luke replied:
Hell yeah. Free day. I’m game.
And Remy came back with:
That’s the point, dumbass.
It’s like somebody hit a pause button on my heart. “They’re protesting for Khalil?”
“Yeah,” Hailey says, all giddy and shit. “Perfect timing too. I so did not study for that English exam. This is, like, the first time Remy actually came up with a good idea to get out of class. I mean, it’s kinda messed up that we’re protesting a drug dealer’s death, but—”
All my Williamson rules go out the door, and Starr from Garden Heights shows up. “What the fuck that got to do with it?”
Their mouths open into perfectly shaped O’s. “Like, I mean . . . if he was a drug dealer,” Hailey says, “that explains why . . .”
“He got killed even though he wasn’t doing shit? So it’s cool he got killed? But I thought you were protesting it?”
“We are! God, lighten up, Starr,” she says. “I thought you’d be all over this, considering your obsession on Tumblr lately.”
“You know what?” I say, one second from really going off. “Leave me alone. Have fun in your little protest.”
I wanna fight every person I pass, Floyd Mayweather style. They’re so damn excited about getting a day off. Khalil’s in a grave. He can’t get a day off from that shit. I live it every single day too.
In class I toss my backpack on the floor and throw myself into my seat. When Hailey and Maya come in, I give them a stank-eye and silently dare them to say shit to me.
I’m breaking all of my Williamson Starr rules with zero fucks to give.
Chris gets there before the bell rings, headphones draped around his neck. He comes down my aisle and squeezes my nose, going, “Honk, honk,” because for some reason it’s hilarious to him. Usually I laugh and swat at him, but today . . . Yeah, I’m not in the mood. I just swat. Kinda hard too.
He goes, “Ow,” and gives his hand a quick shake. “What’s wrong with you?”
I don’t respond. If I open my mouth, I’ll explode.
He crouches beside my desk and shakes my thigh. “Starr? You okay?”
Our teacher, balding, stumpy Mr. Warren, clears his throat. “Mr. Bryant, my class is not the Love Connection. Please have a seat.”
Chris slides into the desk next to mine. “What’s wrong with her?” he whispers to Hailey. She plays dumb and says, “Dunno.”
Mr. Warren tells us to take out our MacBooks and begins the lesson on British literature. Not even five minutes in, someone says, “Justice for Khalil.”
“Justice for Khalil,” the others chant. “Justice for Khalil.”
Mr. Warren tells them to stop, but they get louder and pound their fists on the desks. I wanna puke and scream and cry.
My classmates stampede toward the door. Maya’s the last one out. She glances back at me then at Hailey who motions her to come on. Maya follows her out.
I think I’m done following Hailey.
In the hall, chants for Khalil go off like sirens. Unlike Hailey, some of them may not care that he was a drug dealer. They might be almost as upset as I am. But since I know why Remy started this protest, I stay in my seat.
Chris does too for some reason. His desk scrapes the floor as it scoots closer to mine until they touch. He brushes my tears with his thumb.
“You knew him, didn’t you?” he says. I nod.
“Oh,” says Mr. Warren. “I am so sorry, Starr. You don’t have to—you can call your parents, you know?”
I wipe my face. The last thing I want is Momma making a fuss because I can’t handle all this. Worse, I don’t wanna be unable to handle it. “Can you continue with the lesson, sir?” I ask. “The distraction would be nice.”
He smiles sadly and does as I ask.
For the rest of the day, sometimes Chris and I are the only ones in our classes. Sometimes one or two other people join us. People go out of their way to tell me they think Khalil’s death is bullshit, but that Remy’s reason for protesting is bullshit too. I mean, this sophomore girl comes up to me in the hall and explains that she supports the cause but decided to go back to class after she heard why they were really protesting.
They act like I’m the official representative of the black race and they owe me an explanation. I think I understand though. If I sit out a protest, I’m making a statement, but if they sit out a protest, they look racist.
At lunch, Chris and I head to our table near the vending machines. Jess with her perfect pixie cut is the only one there, eating cheese fries and reading her phone.
“Hey?” I ask more than say. I’m surprised she’s here.
“S’up?” She nods. “Have a seat. As you can see, there’s plenty of room.”
I sit beside her, and Chris sits on the other side of me. Jess and I have played basketball together for three years, and she’s put her head on my shoulder for two of them, but I’m ashamed to admit I don’t know much about her. I do know she’s a senior, her parents are attorneys, and she works at a bookstore. I didn’t know that she’d skip the protest.
I guess I’m staring at her hard, because she says, “I don’t use dead people to get out of class.”
If I wasn’t straight I would totally date her for saying that. This time I rest my head on her shoulder.
She pats my hair and says, “White people do stupid shit sometimes.” Jess is white.
Seven and Layla join us with their trays. Seven holds his fist out to me. I bump it.
“Sev-en,” Jess says, and they fist-bump too. I had no idea they were cool like that. “I take it we’re protesting the ‘Get Out of Class’ protest?”
“Yep,” Seven says. “Protesting the ‘Get Out of Class’ protest.”
Seven and I get Sekani after school, and he won’t shut up about the news cameras he saw from his classroom window, because he’s Sekani and he came into this world looking for a camera. I have too many selfies of him on my phone giving the “light skin face,” his eyes squinted and eyebrows raised.
“Are y’all gonna be on the news?” he asks. “Nah,” says Seven. “Don’t need to be.”
We could go home, lock the door, and fight over the TV like we always do, or we could help Daddy at the store. We go to the store.
Daddy stands in the doorway, watching a reporter and camera operator set up in front of Mr. Lewis’s shop. Of course, when Sekani sees the camera, he says, “Ooh, I wanna be on TV!”
“Shut up,” I say. “No you don’t.”
“Yes, I do. You don’t know what I want!”
The car stops, and Sekani pushes my seat forward, sending my chin into the dashboard as he jumps out. “Daddy, I wanna be on TV!”
I rub my chin. His hyper butt is gonna kill me one day.
Daddy holds Sekani by the shoulders. “Calm down, man. You not gon’ be on TV.” “What’s going on?” Seven asks when we get out.
“Some cops got jumped around the corner,” Daddy says, one arm around Sekani’s chest to keep him still.
“Jumped?” I say.
“Yeah. They pulled them out their patrol car and stomped them. Gray Boys.” The code name for King Lords. Damn.
“I heard what happened at y’all school,” Daddy says. “Everything cool?” “Yeah.” I give the easy answer. “We’re good.”
Mr. Lewis adjusts his clothes and runs a hand over his Afro. The reporter says something, and he lets out a belly-jiggling laugh.
“What this fool ’bout to say?” Daddy wonders.
“We go live in five,” says the camera operator, and all I can think is, Please don’t put Mr. Lewis on live TV. “Four, three, two, one.”
“That’s right, Joe,” the reporter says. “I’m here with Mr. Cedric Lewis Jr., who witnessed the incident involving the officers today. Can you tell us what you saw, Mr. Lewis?”
“He ain’t witness nothing,” Daddy tells us. “Was in his shop the whole time. I told him what happened!”
“I sholl can,” Mr. Lewis says. “Them boys pulled those officers out their car. They weren’t doing nothing either. Just sitting there and got beat like dogs. Ridiculous! You hear me? Re-damn-diculous!”
Somebody’s gonna turn Mr. Lewis into a meme. He’s making a fool out of himself and doesn’t even know it.
“Do you think that it was retaliation for the Khalil Harris case?” the reporter asks.
“I sholl do! Which is stupid. These thugs been terrorizing Garden Heights for years, how they gon’ get
mad now? What, ’cause they didn’t kill him themselves? The president and all’a them searching for terrorists, but I’ll name one right now they can come get.”
“Don’t do it, Mr. Lewis,” Daddy prays. “Don’t do it.”
Of course, he does. “His name King, and he live right here in Garden Heights. Probably the biggest drug dealer in the city. He over that King Lords gang. Come get him if you wanna get somebody. Wasn’t nobody but his boys who did that to them cops anyway. We sick of this! Somebody march ’bout that!”
Daddy covers Sekani’s ears. Every cuss word that follows equals a dollar in Sekani’s jar if he hears it. “Shit,” Daddy hisses. “Shit, shit, shit. This motha—”
“He snitched,” says Seven. “On live TV,” I add.
Daddy keeps saying, “Shit, shit, shit.”
“Do you think that the curfew the mayor announced today will prevent incidents like this?” the reporter asks Mr. Lewis.
I look at Daddy. “What curfew?”
He takes his hands off Sekani’s ears. “Every business in Garden Heights gotta close by nine. And nobody can be in the streets after ten. Lights out, like in prison.”
“So you’ll be home tonight, Daddy?” Sekani asks.
Daddy smiles and pulls him closer. “Yeah, man. After you do your homework, I can show you a thang or two on Madden.”
The reporter wraps up her interview. Daddy waits until she and the camera operator leave and then goes over to Mr. Lewis. “You crazy?” he asks.
“What? ’Cause I told the truth?” Mr. Lewis says.
“Man, you can’t be going on live TV, snitching like that. You a dead man walking, you know that, right?”
“I ain’t scared of that nigga!” Mr. Lewis says real loud, for everybody to hear. “You scared of him?” “Nah, but I know how the game work.”
“I’m too old for games! You oughta be too!” “Mr. Lewis, listen—”
“Nah, you listen here, boy. I fought a war, came back, and fought one here. See this?” He lifts up his pants leg, revealing a plaid sock over a prosthetic. “Lost it in the war. This right here.” He lifts his shirt to his underarm. There’s a thin pink scar stretching from his back to his swollen belly. “Got it after some white boys cut me ’cause I drank from their fountain.” He lets his shirt fall down. “I done faced a whole lot worse than some so-called King. Ain’t nothing he can do but kill me, and if that’s how I gotta go for speaking the truth, that’s how I gotta go.”
“You don’t get it,” Daddy says.
“Yeah I do. Hell, I get you. Walking around here, claiming you ain’t a gangster no more, claiming you trying to change stuff, but still following all’a that ‘don’t snitch’ mess. And you teaching them kids the same thing, ain’t you? King still controlling your dumb ass, and you too stupid to realize it.”
“Stupid? How you gon’ call me stupid when you the one snitching on live TV!” A familiar whoop-whoop sound alarms us.
Oh God.
The patrol car with flashing lights cruises down the street. It stops next to Daddy and Mr. Lewis. Two officers get out. One black, one white. Their hands linger too close to the guns at their waists. No, no, no.
“We got a problem here?” the black one asks, looking squarely at Daddy. He’s bald just like Daddy,
but older, taller, bigger.
“No, sir, officer,” Daddy says. His hands that were once in his jeans pockets are visible at his sides. “You sure about that?” the younger white one asks. “It didn’t seem that way to us.”
“We were just talking, officers,” Mr. Lewis says, much softer than he was minutes ago. His hands are at his sides too. His parents must’ve had the talk with him when he was twelve.
“To me it looks like this young man was harassing you, sir,” the black one says, still looking at Daddy. He hasn’t looked at Mr. Lewis yet. I wonder if it’s because Mr. Lewis isn’t wearing an NWA T-shirt. Or because there aren’t tattoos all on his arms. Or because he’s not wearing somewhat baggy jeans and a backwards cap.
“You got some ID on you?” the black cop asks Daddy. “Sir, I was about to go back to my store—”
“I said do you have some ID on you?”
My hands shake. Breakfast, lunch, and everything else churns in my stomach, ready to come back up my throat. They’re gonna take Daddy from me.
“What’s going on?”
I turn around. Tim, Mr. Reuben’s nephew, walks over to us. People have stopped on the sidewalk across the street.
“I’m gonna reach for my ID,” Daddy says. “It’s in my back pocket. A’ight?” “Daddy—” I say.
Daddy keeps his eyes on the officer. “Y’all, go in the store, a’ight? It’s okay.” We don’t move though.
Daddy’s hand slowly goes to his back pocket, and I look from his hands to theirs, watching to see if they’re gonna make a move for their guns.
Daddy removes his wallet, the leather one I bought him for Father’s Day with his initials embossed on it. He shows it to them.
“See? My ID is in here.”
His voice has never sounded so small.
The black officer takes the wallet and opens it. “Oh,” he says. “Maverick Carter.” He exchanges a look with his partner.
Both of them look at me. My heart stops.
They’ve realized I’m the witness.
There must be a file that lists my parents’ names on it. Or the detectives blabbed, and now everyone at the station knows our names. Or they could’ve gotten it from Uncle Carlos somehow. I don’t know how it happened, but it happened. And if something happens to Daddy . . .
The black officer looks at him. “Get on the ground, hands behind your back.” “But—”
“On the ground, face-down!” he yells. “Now!”
Daddy looks at us. His expression apologizes for the fact that we have to see this.
He gets down on one knee and lowers himself to the ground, face-down. His hands go behind his back, and his fingers interlock.
Where’s that camera operator now? Why can’t this be on the news?
“Now, wait a minute, Officer,” Mr. Lewis says. “Me and him were just talking.” “Sir, go inside,” the white cop tells him.
“But he didn’t do anything!” Seven says.
“Boy, go inside!” the black cop says. “No! That’s my father, and—” “Seven!” Daddy yells.
Even though he’s lying on the concrete, there’s enough authority in his voice to make Seven shut up. The black officer checks Daddy while his partner glances around at all of the onlookers. There’s quite
a few of us now. Ms. Yvette and a couple of her clients stand in her doorway, towels around the clients’ shoulders. A car has stopped in the street.
“Everyone, go about your own business,” the white one says. “No, sir,” says Tim. “This is our business.”
The black cop keeps his knee on Daddy’s back as he searches him. He pats him down once, twice, three times, just like One-Fifteen did Khalil. Nothing.
“Larry,” the white cop says.
The black one, who must be Larry, looks up at him, then at all the people who have gathered around. Larry takes his knee off Daddy’s back and stands. “Get up,” he says.
Slowly, Daddy gets to his feet.
Larry glances at me. Bile pools in my mouth. He turns to Daddy and says, “I’m keeping an eye on you, boy. Remember that.”
Daddy’s jaw looks rock hard.
The cops drive off. The car that had stopped in the street leaves, and all of the onlookers go on about their business. One person hollers out, “It’s all right, Maverick.”
Daddy looks at the sky and blinks the way I do when I don’t wanna cry. He clenches and unclenches his hands.
Mr. Lewis touches his back. “C’mon, son.”
He guides Daddy our way, but they pass us and go into the store. Tim follows them.
“Why did they do Daddy like that?” Sekani asks softly. He looks at me and Seven with tears in his eyes.
Seven wraps an arm around him. “I don’t know, man.”
I know.
I go in the store.
DeVante leans against a broom near the cash register, wearing one of those ugly green aprons Daddy tries to make me and Seven wear when we work in the store.
There’s a pang in my chest. Khalil wore one too.
DeVante’s talking to Kenya as she holds a basket full of groceries. When the bell on the door clangs behind me, both of them look my way.
“Yo, what happened?” DeVante asks. “Was that the cops outside?” says Kenya.
From here I see Mr. Lewis and Tim standing in the doorway of Daddy’s office. He must be in there. “Yeah,” I answer Kenya, heading toward the back. Kenya and DeVante follow me, asking about fifty
million questions that I don’t have time to answer.
Papers are scattered all on the office floor. Daddy’s hunched over his desk, his back moving up and down with each heavy breath.
He pounds the desk. “Fuck!”
Daddy once told me there’s a rage passed down to every black man from his ancestors, born the moment they couldn’t stop the slave masters from hurting their families. Daddy also said there’s nothing more dangerous than when that rage is activated.
“Let it out, son,” Mr. Lewis tells him.
“Fuck them pigs, man,” Tim says. “They only did that shit ’cause they know ’bout Starr.” Wait. What?
Daddy glances over his shoulder. His eyes are puffy and wet, like he’s been crying. “The hell you talking ’bout, Tim?”
“One of the homeboys saw you, Lisa, and your baby girl getting out an ambulance at the crime scene that night,” Tim says. “Word spread around the neighborhood, and folks think she’s the witness they been talking ’bout on the news.”
Oh.
Shit.
“Starr, go ring Kenya up,” Daddy says. “Vante, finish them floors.” I head for the cash register, passing Seven and Sekani.
The neighborhood knows.
I ring Kenya up, my stomach knotted the whole time. If the neighborhood knows, it won’t be long until people outside of Garden Heights know. And then what?
“You rang that up twice,” Kenya says. “Huh?”
“The milk. You rang it up twice, Starr.” “Oh.”
I cancel one of the milks and put the carton into a bag. Kenya’s probably cooking for herself and Lyric tonight. She does that sometimes. I ring up the rest of her stuff, take her money, and hand her the change.
She stares at me a second, then says, “Were you really the one with him?” My throat is thick. “Does it matter?”
“Yeah, it matters. Why you keeping quiet ’bout it? Like you hiding or something.” “Don’t say it that way.”
“But it is that way. Right?”
I sigh. “Kenya, stop. You don’t understand, all right?” Kenya folds her arms. “What’s to understand?”
“A lot!” I don’t mean to yell, but damn. “I can’t go around telling people that shit.” “Why not?”
“Because! You ain’t see what the cops just did to my dad ’cause they know I’m the witness.”
“So you gon’ let the police stop you from speaking out for Khalil? I thought you cared about him way more than that.”
“I do.” I care more than she may ever know. “I already talked to the cops, Kenya. Nothing happened. What else am I supposed to do?”
“Go on TV or something, I don’t know,” she says. “Tell everybody what really happened that night. They’re not even giving his side of the story. You’re letting them trash-talk him—”
“Excuse— How the hell am I letting them do anything?”
“You hear all the stuff they’re saying ’bout him on the news, calling him a thug and stuff, and you know that ain’t Khalil. I bet if he was one of your private school friends, you’d be all on TV, defending him and shit.”
“Are you for real?”
“Hell yeah,” she says. “You dropped him for them bougie-ass kids, and you know it. You probably would’ve dropped me if I didn’t come around ’cause of my brother.”
“That’s not true!”
“You sure?” I’m not.
Kenya shakes her head. “Fucked-up part about this? The Khalil I know would’ve jumped on TV in a hot second and told everybody what happened that night if it meant defending you. And you can’t do the same for him.”
It’s a verbal slap. The worst kind too, because it’s the truth.
Kenya gets her bags. “I’m just saying, Starr. If I could change what happens at my house with my momma and daddy, I would. Here you are, with a chance to help change what happens in our whole neighborhood, and you staying quiet. Like a coward.”
Kenya leaves. Tim and Mr. Lewis aren’t far behind her. Tim gives me the black power fist on his way out. I don’t deserve it though.
I head to Daddy’s office. Seven’s standing in the doorway, and Daddy’s sitting on his desk. Sekani’s next to him, nodding along to whatever Daddy’s saying but looking sad. Reminds me of the time Daddy and Momma had the talk with me. Guess Daddy decided not to wait until Sekani’s twelve.
Daddy sees me. “Sev, go cover the cash register. Take Sekani with you. ’Bout time he learned.” “Aww, man,” Sekani groans. Don’t blame him. The more you learn to do at the store, the more you’re
expected to do at the store.
Daddy pats the now-empty spot beside him on the desk. I hop up on it. His office has just enough space for the desk and a file cabinet. Framed photographs crowd the walls, like the one of him and Momma at the courthouse the day they got married, her belly (a.k.a. me) big and round; pictures of me and my brothers as babies, and this one picture from about seven years ago when my parents took the three of us to the mall for one of those J. C. Penney family portraits. They dressed alike in baseball jerseys, baggy jeans, and Timberlands. Tacky.
“You a’ight?” Daddy asks. “Are you?”
“I will be,” he says. “Just hate that you and your brothers had to see that shit.” “They only did it ’cause of me.”
“Nah, baby. They started that before they knew ’bout you.”
“But that didn’t help.” I stare at my J’s as I kick my feet back and forth. “Kenya called me a coward for not speaking out.”
“She didn’t mean it. She going through a lot, that’s all. King throwing Iesha around like a rag doll every single night.”
“But she’s right.” My voice cracks. I’m this close to crying. “I am a coward. After seeing what they did to you, I don’t wanna say shit now.”
“Hey.” Daddy takes my chin so I have no choice but to look at him. “Don’t fall for that trap. That’s what they want. If you don’t wanna speak out, that’s up to you, but don’t let it be because you’re scared of them. Who do I tell you that you have to fear?”
“Nobody but God. And you and Momma. Especially Momma when she’s extremely pissed.”
He chuckles. “Yeah. The list ends there. You ain’t got nothing or nobody else to fear. You see this?” He rolls up his shirt sleeve, revealing the tattoo of my baby picture on his upper arm. “What it say at the bottom?”
“Something to live for, something to die for,” I say, without really looking. I’ve seen it my whole life. “Exactly. You and your brothers are something to live for, and something to die for, and I’ll do whatever I gotta do to protect you.” He kisses my forehead. “If you’re ready to talk, baby, talk. I got your
back.”
I’m luring Brickz inside when it passes out front.
I watch it crawl down the street for the longest time till I get the sense to alert somebody. “Daddy!” He looks up from pulling weeds around his bell peppers. “Are they for real with that?”
The tank resembles the ones they show on the news when talking about war in the Middle East. It’s the size of two Hummers. The blue-and-white lights on the front make the street almost as bright as it is in daytime. An officer is positioned on top, wearing a vest and a helmet. He points his rifle ahead.
A voice booms from the armored vehicle, “All persons found violating the curfew will be subject to arrest.”
Daddy pulls more weeds. “Some bullshit.”
Brickz follows the piece of bologna I dangle in front of him all the way to his spot in the kitchen. He sits there all content, chomping on it and the rest of his food. Brickz won’t act crazy as long as Daddy’s home.
All of us are kinda like Brickz, really. Daddy being home means Momma won’t sit up all night, Sekani won’t flinch all the time, and Seven won’t have to be the man of the house. I’ll sleep better too.
Daddy comes in, dusting caked dirt off his hands. “Them roses dying. Brickz, you been pissing on my roses?”
Brickz’s head perks up. He locks his eyes with Daddy’s but eventually lowers his head. “I bet’ not catch you doing it,” Daddy says. “Or we gon’ have a problem.”
Brickz lowers his eyes too.
I grab a paper towel and a slice of pizza from the box on the counter. This is like my fourth slice tonight. Momma bought two huge pies from Sal’s on the other side of the freeway. Italians own it, so the pizza is thin, herby (is that a word?), and good.
“You finished your homework?” Daddy asks. “Yep.” A lie.
He washes his hands at the kitchen sink. “Got any tests this week?” “Trig on Friday.”
“You studied for it?” “Yep.” Another lie.
“Good.” He gets the grapes out the refrigerator. “You still got that old laptop? The one you had before we bought you that expensive-ass fruit one?”
I laugh. “It’s an Apple MacBook, Daddy.”
“It damn sure wasn’t the price of an apple. Anyway, you got the old one?” “Yeah.”
“Good. Give it to Seven. Tell him to look over it and make sure it’s a’ight. I want DeVante to have it.” “Why?”
“You pay bills?”
“No.”
“Then I ain’t gotta answer that.”
That’s how he gets out of almost every argument with me. I should buy one of those cheap magazine subscriptions and say, “Yeah, I pay a bill, and what?” It won’t matter though.
I head to my room after I finish my pizza. Daddy’s already gone to his and Momma’s room. Their TV’s on, and they’re both lying on their stomachs on the bed, one of her legs on his as she types on her laptop. It’s oddly adorable. Sometimes I watch them to get an idea of what I want one day.
“You still mad at me ’bout DeVante?” Daddy asks her. She doesn’t answer, keeping her eyes on her laptop. He scrunches up his nose and gets all in her face. “You still mad at me? Huh? You still mad at me?”
She laughs and playfully pushes at him. “Move, boy. No, I’m not mad at you. Now give me a grape.” He grins and feeds her a grape, and I just can’t. The cuteness is too much. Yeah, they’re my parents,
but they’re my OTP. Seriously.
Daddy watches whatever she’s doing on the computer, feeding her a grape every time he eats one. She’s probably uploading the latest family snapshots on Facebook for our out-of-town relatives. With everything that’s going on, what can she say? “Sekani saw cops harass his daddy, but he’s doing so well in school. #ProudMom.” Or, “Starr saw her best friend die, keep her in your prayers, but my baby made the honor roll again. #Blessed.” Or even, “Tanks are rolling by outside, but Seven’s been accepted into six colleges so far. #HeIsGoingPlaces.”
I go to my room. Both my old and new laptops are on my desk, which is a mess. There’s a huge pair of Daddy’s Jordans next to my old laptop. The yellowed bottoms of the sneakers face the lamp, and a layer of Saran Wrap protects my concoction of detergent and toothpaste that’ll eventually clean them. Watching yellowed soles turn icy again is as satisfying as squeezing a blackhead and getting all the gunk out. Ah-maz-ing.
According to the lie I told Daddy, my homework is supposed to be done, but I’ve been on a “Tumblr break,” a.k.a. I haven’t started my homework and have spent the last two hours on Tumblr. I started a new blog—The Khalil I Know. It doesn’t have my name on it, just pictures of Khalil. In the first one he’s thirteen with an Afro. Uncle Carlos took us to a ranch so we could “get a taste of country life,” and Khalil’s looking side-eyed at a horse that’s beside him. I remember him saying, “If this thing makes a wrong move, I’m running!”
On Tumblr, I captioned the picture: “The Khalil I know was afraid of animals.” I tagged it with his name. One person liked it and reblogged it. Then another and another.
That made me post more pictures, like one of us in a bathtub when we were four. You can’t see our private parts because of all the suds, and I’m looking away from the camera. Ms. Rosalie’s sitting on the side of the tub, beaming at us, and Khalil’s beaming right back at her. I wrote, “The Khalil I know loved bubble baths almost as much as he loved his grandma.”
In just two hours, hundreds of people have liked and reblogged the pictures. I know it’s not the same as getting on the news like Kenya said, but I hope it helps. It’s helping me at least.
Other people posted about Khalil, uploaded artwork of him, posted pictures of him that they show on the news. I think I’ve reblogged every single one.
Funny though: somebody posted a video clip of Tupac from back in the day. Okay, so every video clip of Tupac is from back in the day. He’s got a little kid on his lap and is wearing a backwards snapback that would be fly now. He explains Thug Life like Khalil said he did—The Hate U Give Little Infants Fucks Everybody. ’Pac spells out “Fucks” because that kid is looking dead in his face. When Khalil told me what it meant I kinda understood it. I really understand it now.
I grab my old laptop when my phone buzzes on my desk. Momma returned it earlier—hallelujah, thank you, Black Jesus. She said it’s only in case there’s another situation at school. I got it back though, don’t really care why. I’m hoping it’s a text from Kenya. I sent her the link to my new Tumblr earlier. Thought she’d like to see it since she kinda pushed me to do it.
But it’s Chris. He took note from Seven with his all-caps texts:
OMG!
THIS FRESH PRINCE EPISODE
WILL’S DAD DIDN’T TAKE HIM WITH HIM
THE ASSHOLE CAME BACK AND LEFT HIM AGAIN
NOW HE’S HAVING A BREAKDOWN WITH UNCLE PHIL
MY EYES ARE SWEATING
Understandable. That’s seriously the saddest episode ever. I text Chris back:
Sorry :(. And your eyes aren’t sweating. You’re crying, babe.
He replies:
LIES!
I say:
You ain’t gotta lie, Craig. You ain’t gotta lie.
He responds:
DID YOU REALLY USE A LINE FROM FRIDAY ON ME???
So watching nineties movies is kinda our thing too. I text back:
Yep