Linda Gregerson, “Ex Machina” from Fire in the Conservatory (Port Townsend, Washington: Dragon Gate, 1982). Copyright © 1982 by Linda Gregerson. Reprinted with the permission of the author. Source: Fire in the Conservatory (Dragon Gate, 1982)
1
When love was a question, the message arrived
in the beak of a wire and plaster bird.
The coloratura
was hardly to be believed.
For flight,
2
it took three stagehands: two
on the pulleys and one on the flute.
And you
thought fancy rained like grace.
3
Our fog machine lost in the Parcel Post, we improvised
with smoke.
The heroine dies of tuberculosis after all.
Remorse and the raw night air: any plausible tenor
4
might cough.
The passions, I take my clues
from an obvious source, may be less like climatic events
than we conventionalize, though I’ve heard
5
of tornadoes that break the second-best glassware
and leave everything else untouched.
There’s a finer conviction than seamlessness
6
elicits: the Greeks knew a god
by the clanking behind his descent.
The heart, poor pump, protests till you’d think
7
it’s rusted past redemption, but
there’s tuning in these counterweights,
celebration’s assembled voice.
8 Linda Gregerson, “Ex Machina” from Fire in the Conservatory (Port Townsend, Washington: Dragon Gate, 1982). Copyright © 1982 by Linda Gregerson. Reprinted with the permission of the author.
9 Source: Fire in the Conservatory (Dragon Gate, 1982)
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