Tuck Everlasting, Chapters 18-20

Author: Natalie Babbitt

18

And so there were flapjacks again for breakfast, but no one seemed to mind. "Didn't get a bite, eh?" said Mae. "No," said Miles, "nothing we wanted to keep."

That was true, anyway. And though Winnie blushed as he said it, she was grateful that he didn't explain. "Never mind," said Mae. "You're likely out of practice. Tomorrow, maybe."

"Sure," said Miles. "Tomorrow."

But it was the thought of seeing Jesse again that kept Winnie's stomach fluttering. And at last he came down from the loft, yawning and rosy, rubbing his curls, just as Mae was piling the plates with flapjacks. "Well, slug-a-bed," she said to him fondly. "You come near to missing breakfast. Miles and Winnie been up for hours, out fishing and back already."

"Oh?" said Jesse, his eyes on Miles. "Where's the fish, then? How come we got nothing but flapjacks?" "No luck," said Mae. "They wasn't biting, for some reason."

"Reason is, Miles don't know how to fish," said Jesse. He grinned at Winnie and she lowered her eyes, her heart thumping.

"It don't matter," said Mae. "We got plenty without. Come and get your plates, everybody."

They sat about in the parlor, as they had the night before. The ceiling swam with bright reflections, and sunlight streamed across the dusty, chip-strewn floor. Mae surveyed it all and sighed contentedly. "Now, this is real nice," she said, her fork poised above her plate. "Everyone sitting down together. And having Winnie here—why, it's just like a party."

"That's the truth," said Jesse and Miles both together, and Winnie felt a rush of happiness.

"Still, we got things to discuss," Tuck reminded them. "There's the business of the horse getting stole. And we got to get Winnie home where she belongs. How we going to do that without the horse?"

"After breakfast, Tuck," said Mae firmly. "Don't spoil a good meal with a lot of talk. We'll get to it soon enough."

So they were silent, eating, and this time Winnie licked the syrup from her fingers without pausing to think about it first. Her fears at last night's supper seemed silly to her now. Perhaps they were crazy, but they weren't criminals. She loved them. They belonged to her.

Tuck said, "How'd you sleep, child?" And she answered, "Just fine," and wished, for a fleeting moment, that she could stay with them forever in that sunny, untidy little house by the pond. Grow up with them and perhaps, if it was true about the spring—then perhaps, when she was seventeen . . . She glanced at Jesse, where he sat on the floor, his curly head bent over his plate. Then she looked at Miles. And then her eyes went to Tuck and lingered on his sad, creased face. It occurred to her that he was the dearest of them all, though she couldn't have explained why she felt that way.

However, there wasn't time to wonder, for at that moment someone knocked at the door.

It was such an alien sound, so sudden and surprising, that Mae dropped her fork, and everyone looked up, startled. "Who's that?" said Tuck.

"I can't imagine," whispered Mae. "We ain't never had callers in all the years we been here." The knock came again. "I'll go, Ma," said Miles.

"No, stay where you are," she said. "I'll go." She put her plate down carefully on the floor and stood up, straightening her skirts. Then she went to the kitchen and opened the door.

Winnie recognized the voice at once. It was a rich and pleasant voice. The man in the yellow suit. And he was saying, "Good morning, Mrs. Tuck. It is Mrs. Tuck, isn't it. May I come in?"

19

The man in the yellow suit came into the sunlit parlor. He stood for a moment, looking around at them all, Mae and Miles and Jesse and Tuck, and Winnie, too. His face was without expression, but there was something unpleasant behind it that Winnie sensed at once, something that made her instantly suspicious. And yet his voice was mild when he said, "You're safe now, Winifred. I've come to take you home."

"We was going to bring her back directly, ourself," said Tuck, standing up slowly. "She ain't been in no danger."

"You're Mr. Tuck, I suppose," said the man in the yellow suit. "I am," said Tuck formally, his back straighter than usual.

"Well, you may as well sit down again. You, too, Mrs. Tuck. I have a great deal to say and very little time for saying it."

Mae sat down on the edge of the rocker, and Tuck sat, too, but his eyes were narrowed. Jesse said, uneasily, "Who in tarnation do you think you—"
But Tuck interrupted. "Hush, boy. Let him speak his piece."

"That's wise," said the man in the yellow suit. "I'll be as brief as possible." He took off his hat and laid it on the mantel, and then he stood tapping his foot on the littered hearth, facing them. His face was smooth and empty. "I was born west of here," he began, "and all the time I was growing up, my grandmother told me stories.

They were wild, unbelievable stories, but I believed them. They involved a dear friend of my grandmother's who married into a very odd family. Married the older of two sons, and they had two children. It was after the children were born that she began to see that the family was odd. This friend of my grandmother's, she lived with her husband for twenty years, and strange to say, he never got any older. She did, but he didn't. And neither did his mother or his father or his brother. People began to wonder about that family, and my grandmother's friend decided at last that they were witches, or worse. She left her husband and came with her children to live at my grandmother's house for a short while. Then she moved west. I don't know what became of her. But my mother still remembers playing with the children. They were all about the same age. There was a son, and a daughter."

"Anna!" whispered Miles.

Mae burst out, "You got no call to come and bring us pain!"

And Tuck added roughly, "You got something to say, you better come to the point and say it."

"There, there, now," said the man in the yellow suit. He spread his long, white fingers in a soothing gesture. "Hear me out. As I've told you, I was fascinated by my grandmother's stories. People who never grew older! It was fantastic. It took possession of me. I decided to devote my life to finding out if it could be true, and if so, how and why. I went to school, I went to a university, I studied philosophy, metaphysics, even a little medicine. None of it did me any good. Oh, there were ancient legends, but nothing more. I nearly gave it up. It began to seem ridiculous, and a waste of time. I went home. My grandmother was very old by then. I took her a present one day, a music box. And when I gave it to her, it reminded her of something: the woman, the mother of the family that didn't grow old, she had had a music box."

Mae's hand went to the pocket of her skirt. Her mouth opened, and then she shut it again with a snap.

"That music box played a very particular tune," the man in the yellow suit went on. "My grandmother's friend and her children—Anna? Was that the daughter's name?—they'd heard it so often that they knew it by heart. They'd taught it to my mother during the short time they lived in the house. We talked about it then, all those years afterward, my mother, my grandmother, and I. My mother was able to remember the melody, finally. She taught it to me. That was nearly twenty years ago now, but I kept it in my head. It was a clue."

The man in the yellow suit folded his arms and rocked a little. His voice was easy, almost friendly. "During those twenty years," he said, "I worked at other things. But I couldn't forget the tune or the family that didn't grow older. They haunted my dreams. So a few months ago I left my home and I started out to look for them, following the route they were said to have taken when they left their farm. No one I asked along the way
knew anything. No one had heard of them, no one recognized their name. But two evenings ago, I heard that music box, I heard that very tune, and it was coming from the Fosters' wood. And next morning early, I saw the family at last, taking Winifred away. I followed, and I heard their story, every word."

Mae's face drained of color. Her mouth hung open. And Tuck said hoarsely, "What you going to do?"

The man in the yellow suit smiled. "The Fosters have given me the wood," he said. "In exchange for bringing Winifred home. I was the only one who knew where she was, you see. So it was a trade. Yes, I followed you, Mrs. Tuck, and then I took your horse and went directly back."

The tension in the parlor was immense. Winnie found that she could scarcely breathe. It was true, then! Or was the man who stood there crazy, too?

"Horse thief!" cried Tuck. "Get to the point! What you going to do?"

"It's very simple," said the man in the yellow suit. And, as he said this, the smoothness of his face began to loosen a little. A faint flush crept up his neck, and the pitch of his voice lifted, became a fraction higher. "Like all magnificent things, it's very simple. The wood—and the spring—belong to me now." He patted his breast pocket. "I have a paper here, all signed and legal, to prove it. I'm going to sell the water, you see."

"You can't do that!" roared Tuck. "You got to be out of your mind!"

The man in the yellow suit frowned. "But I'm not going to sell it to just anybody," he protested. "Only to certain people, people who deserve it. And it will be very, very expensive. But who wouldn't give a fortune to live forever?"

"I wouldn't," said Tuck grimly.

"Exactly," said the man in the yellow suit. His eyes glowed. "Ignorant people like you should never have the opportunity. It should be kept for . . . certain others. And for me. However, since it's already too late to keep you out, you may as well join me in what I'm going to do. You can show me where the spring is and help me to advertise. We'll set up demonstrations. You know—things that would be fatal to anybody else, but won't affect you in the least. I'll pay for your assistance, of course. It won't take long for the word to spread. And then you can go your way. Well, what do you say?"

Jesse said dully, "Freaks. You want us to be freaks. In a patent-medicine show."

The man in the yellow suit raised his eyebrows and a nervous petulance came into his voice. "Of course, if the idea doesn't appeal to you," he said, blinking rapidly, "you needn't be in on it. I can find the spring and manage just as well without you. But it seemed the gentlemanly thing to make the offer. After all," he added, looking round at the cluttered room, "it would mean you could afford to live like people again, instead of pigs."

And that was when the tension burst. All four Tucks sprang to their feet at once, while Winnie, very frightened, shrank back in her chair. Tuck cried, "You're a madman! A loony! You can't let no one know about that water. Don't you see what would happen?"

"I've given you your chance," shrilled the man in the yellow suit, "and you've refused it." He seized Winnie roughly by the arm and dragged her up out of her chair. "I'll take the child, and be on about my business."

Tuck began to rave now, his face stretched with horror. "Madman!" he shouted. And Miles and Jesse began to shout, too. They crowded after as the man in the yellow suit dragged Winnie through the kitchen to the door.

"No!" she was screaming, for now at last she hated him. "I won't go with you! I won't!"

But he opened the door and pushed her out in front of him. His eyes were like blind firepoints, his face was twisted.

Then the shouting behind them stopped abruptly, and in the midst of the sudden silence came Mae's voice, flat and cold. "You leave that child be," she said.

Winnie stared. Mae was standing just outside the doorway. She held Tuck's long-forgotten shotgun by the barrel, like a club.

The man in the yellow suit smiled a ghastly smile. "I can't think why you're so upset. Did you really believe you could keep that water for yourselves? Your selfishness is really quite extraordinary, and worse than that, you're stupid. You could have done what I'm about to do, long ago. Now it's too late. Once Winifred drinks some of the water, she'll do just as well for my demonstrations. Even better. Children are much more appealing, anyway. So you may as well relax. There's nothing you can do to stop me."

But he was wrong. Mae lifted the shotgun. Behind her, Miles gasped, "Ma! No!"

But Mae's face was dark red. "Not Winnie!" she said between clenched teeth. "You ain't going to do a thing like that to Winnie. And you ain't going to give out the secret." Her strong arms swung the shotgun round her head, like a wheel. The man in the yellow suit jerked away, but it was too late. With a dull cracking sound, the stock of the shotgun smashed into the back of his skull. He dropped like a tree, his face surprised, his eyes wide open. And at that very moment, riding through the pine trees just in time to see it all, came the Treegap constable.

20

Winnie was standing with her cheek pressed into Tuck's chest, her arms flung tight around him. She trembled, and kept her eyes squeezed shut. She could feel Tuck's breath come and go in little gasps. It was very quiet.

The Treegap constable knelt over the sprawled body of the man in the yellow suit, and then he said, "He ain't dead. Leastways, not yet."

Winnie opened her eyes a crack. She could see the shotgun lying on the grass where Mae had dropped it. She could see Mae's hands, too, hanging limp, clenching, then hanging limp again. The sun was scorching hot, and near her ear a gnat whined.

The constable stood up. "What did you hit him for?" he wheezed resentfully.

"He was taking the child away," said Mae. Her voice was dull and exhausted. "He was taking the child against her will."

At this the constable exploded. "Ding-dang it, woman, what you trying to say? Taking that child against her will? That's what you done. You kidnapped that child."

Winnie let go of Tuck's waist and turned around. Her trembling had stopped. "They didn't kidnap me," she said. "I came because I wanted to."

Behind her, Tuck drew his breath in sharply.

"You wanted to?" echoed the constable, his eyes wide with disbelief. "You wanted to?" "That's right," said Winnie unflinchingly. "They're my friends." The constable stared at her. He scratched his chin, eyebrows high, and eased his own shotgun to the ground. Then he shrugged and looked down at the man in the yellow suit, who lay motionless on the grass, the blazing sun white on his face and hands. His eyes were closed now, but except for that, he looked more than ever like a marionette, a marionette flung carelessly into a corner, arms and legs every which way midst tangled strings.

The one glance she gave him fixed his appearance forever in Winnie's mind. She turned her eyes away quickly, looking to Tuck for relief. But Tuck was not looking back at her. Instead, he was gazing at the body on the ground, leaning forward slightly, his brows drawn down, his mouth a little open. It was as if he were entranced and—yes, envious—like a starving man looking through a window at a banquet. Winnie could not bear to see him like that. She reached out a hand and touched him, and it broke the spell. He blinked and took her hand, squeezing it.

"Well, anyway," said the constable at last, turning businesslike, "I got to take charge here. Get this feller into the house before he fries. I'm telling you now: if he don't make it, you're in a pickle, you people. Now, here's what we'll do. You," he said, pointing at Mae, "you got to come with me, you and the little girl. You got to be locked up right away; and the little girl, I got to get her home. The rest of you, you stay here with him. Look after him. I'll get back with a doctor quick as I can. Should have brought a deputy, but I didn't expect nothing like this to happen. Well, it's too late now. All right, let's get moving."

Miles said softly, "Ma. We'll get you out right away." "Sure, Ma," said Jesse.

"Don't worry about me none," said Mae in the same exhausted voice. "I'll make out."

"Make out?" exclaimed the constable. "You people beat all. If this feller dies, you'll get the gallows, that's what you'll get, if that's what you mean by make out."

Tuck's face crumpled. "The gallows?" he whispered. "Hanging?" "That's it," said the constable. "That's the law. Now, let's get going."

Miles and Jesse lifted the man in the yellow suit and carried him carefully into the house, but Tuck stood staring, and Winnie could guess what he was thinking. The constable swung her up onto his horse and directed Mae to her own saddle. But Winnie kept her eyes on Tuck. His face was very pale, the creases deeper than ever, and his eyes looked blank and sunken. She heard him whisper again, "The gallows!"

And then Winnie said something she had never said before, but the words were words she had sometimes heard, and often longed to hear. They sounded strange on her own lips and made her sit up straighter. "Mr. Tuck," she said, "don't worry. Everything's going to be all right."

The constable glanced heavenward and shook his head. Then, clutching his shotgun, he climbed up behind Winnie and turned the horse toward the path. "You first," he barked at Mae. "I got to keep an eye on you. And as for you," he added grimly, speaking to Tuck, "you better hope that feller don't die on you. I'll be back soon as I can."

"Everything'll be all right," Tuck repeated slowly.

Mae, slumped on the back of the fat old horse, did not respond. But Winnie leaned round the constable and looked back at Tuck. "You'll see," she said. And then she faced forward, sitting very straight. She was going home, but the thought of that was far from her mind. She watched the rump of the horse ahead, the swish of coarse, dusty hairs as he moved his tail. And she watched the swaying, sagging back of the woman who rode him.

Up through the dim pine trees they went, the constable's breath wheezing in her ears, and emerging from the coolness and the green, Winnie saw again the wide world spread before her, shimmering with light and possibility. But the possibilities were different now. They did not point to what might happen to her but to what she herself might keep from happening. For the only thing she could think of was the clear and terrible necessity: Mae Tuck must never go to the gallows. Whatever happened to the man in the yellow suit, Mae Tuck must not be hanged. Because if all they had said was true, then Mae, even if she were the crudest of murderers and deserved to be put to death—Mae Tuck would not be able to die.

DMU Timestamp: June 12, 2015 11:30