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Documentary Film March 11

Documentary Film March 11

To call Leni Riefenstahl’s The Triumph of the Will and The Olympiad masterpieces is not to gloss over Nazi propaganda with aesthetic lenience. The Nazi propaganda is there. But something else is there, too, which we reject at our loss. Because they project the complex movements of intelligence and grace and sensuousness, these two films of Riefenstahl (unique among work of Nazi artists) transcend the categories of propaganda or even reportage. And we find ourselves—to be sure rather uncomfortably—seeing “Hitler” and not Hitler, the “1936 Olympics” and not the 1936 Olympics.

Through Riefenstahl’s genius as a filmmaker, the “content” has—let us even assume, against her intentions—come to play a purely formal role.

Fascist aesthetics include but go far beyond the rather special celebration of the primitive to be found in The Last of the Nuba. More generally, they flow from (and justify) a preoccupation with situations of control, submissive behavior, extravagant effort, and the endurance of pain; they endorse two seemingly opposite states, egomania and servitude. The relations of domination and enslavement take the form of a characteristic pageantry: the massing of groups of people; the turning of people into things; the multiplication or replication of things; and the grouping of people/things around an all-powerful, hypnotic leader-figure or force. The fascist dramaturgy centers on the orgiastic transactions between mighty forces and their puppets, uniformly garbed and shown in ever swelling numbers. Its choreography alternates between ceaseless motion and congealed, static, “virile” posing. Fascist art glorifies surrender, it exalts mindlessness, it glamorizes death.

Triumph of the Will focuses on shot selection especially when Hitler is conducting his speeches.

There is no narrative in Triumph of the Will. This leaves the audience to view Hitler any way they please instead of using a narrator that will influence the scenes.

Riefenstahl has certainly done a very good job in terms of showing the aesthetics of Germany and its culture.

DMU Timestamp: December 22, 2015 00:08





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