Like an echo,
it comes back,
the bend in the creek,
like a uterus’
bleeding flow,
tangible again,
as memory revisits,
with unusual
concreteness,
territories of the past,
rebounding, circulating,
surging, vexing,
panning our naked
bodies – some of us
in the water, loin-deep,
making animal sounds;
some of us out,
wistfully small,
under a depthless sky –
all of us boys still,
like blossoming buds,
bending under
the paw of some
hormonal energy
that lingers now
in memory’s tunnel,
like an air prowling
around us, vaguely
ornery, urging:
“Begin what you are,”
though not intended
to belittle me
for my unmasculine traits,
but, instead,
to lift me up,
allowing new light
to enter in, its strong
broad rays in free fall
against my flesh,
as if through blades
of pungent grass,
piercing me
even deeper now, to say,
“Be kind to him,
stranger that he is.”
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I’m going to try this technique in my own poem.
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its like there making a comparison between tunnels and memory and mixing it together which creates what they use ( memory tunnel ). I want to use this technique in my poem.
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This person was getting hurt and they use how deep and how a piercing hurts to describe the pain
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I’m not sure I’m going to use this technique. I might.
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