Learning to Read and Write
Frederick Douglass
I lived in Master Hugh's family about seven years. During this time, I succeeded in learning to read and write. In accomplishing this, I was compelled to resort to various stratagems. I had no regular teacher. My mistress, who had kindly commenced to instruct me, had, in compliance with the advice and direction of her husband, not only ceased to instruct, but had set her face against my being instructed by anyone else. It is due, however, to my mistress to say of her, that she did not adopt this course of treatment immediately. She at first lacked the depravity indispensable to shutting me up in mental darkness. It was at least necessary for her to have some training in the exercise of irresponsible power, to make her equal to the task of treating me as though I were a brute.
My mistress was, as I have said, a kind and tender‐hearted woman; and in the simplicity of her soul she commenced, when I first went to live with her, to treat me as she supposed one human being ought to treat another. In entering upon the duties of a slaveholder, she did not seem to perceive that I sustained to her the relation of a mere chattel, and that for her to treat me as a human being was not only wrong, but dangerously so. Slavery proved as injurious to her as it did to me. When I went there, she was a pious, warm, and tender‐hearted woman. There was no sorrow or suffering for which she had not a tear. She had bread for the hungry, clothes for the naked, and comfort for every mourner that came within her reach. Slavery soon proved its ability to divest her of these heavenly qualities. Under its influence, the tender heart became stone, and the lamb‐Iike disposition gave way to one of tiger‐like fierce‐ ness. The first step in her downward course was in her ceasing to instruct me. She now commenced to practice her husband's precepts. She finally became even more violent in her opposition than her husband himself. She was not satisfied with simply doing as well as he had commanded; she seemed anxious to do better. Nothing seemed to make her more angry than to see me with a newspaper. She seemed to think that here lay the danger. I have had her rush at me with a face made all up of fury, and snatch from me a newspaper, in a manner that fully revealed her apprehension. She was an apt woman; and a little experience soon demonstrated, to her satisfaction, that education and slavery were incompatible with each other.
From this time I was most narrowly watched. If I was in a separate room any considerable length of time, I was sure to be suspected of having a book, and was at once called to give an account of myself. All this, however, was too late. The first step had been taken. Mistress, in teaching me the alphabet, had given me the inch, and no precaution could prevent me from taking the ell.
The plan which I adopted, and the one by which I was most successful, was that of making friends of all the little white boys whom I met in the street. As many of these as I could, I converted into teachers. With their kindly aid, obtained at different times and in different places, I finally succeeded in learning to read. When I was sent to errands, I always took my book with me, and by doing one part of my errand quickly, I found time to get a lesson before my return. I used also to carry bread with me, enough of which was always in the house, and to which I was always welcome; for I was much better off in this regard than many of the poor white children in our neighborhood. This bread I used to bestow upon the hungry little urchins, who, in return, would give me that more valuable bread of knowledge. I am strongly tempted to give the names of two or three of those little boys, as a testimonial of the gratitude and affection I bear them; but prudence forbids‐not that it would injure me, ~ but it might embarrass them; for it is almost an unpardonable offense to teach slaves to read in this Christian country. It is enough to say of the dear little fellows, that they lived on Philpot Street, very near Durgin and Bailey's shipyard. I used to talk this matter of slavery over with them. I would sometimes say to them, I wished I could be as free as they would be when they got to be men. "You will be free as soon as you are twenty‐ one, but I am a slave for life! Have not I as good a right to be free as you have?" These words used to trouble them; they would express for me the liveliest sympathy, and console me with the hope that something would occur by which I might be free.
I was now about twelve‐years‐old, and the thought of being a slave for life began to bear heavily upon my heart. Just about this time, I got hold of a book entitled "The Columbian Orator." Every opportunity I got, I used to read this book. Among much of other interesting matter, I found in it a dialogue between a master and his slave. The slave was rep‐ resented as having run away from his master three times. The dialogue represented the conversation which took place between them, when the slave was retaken the third time. In this dialogue, the whole argument in behalf of slavery was brought forward by the master, all of which was disposed of by the slave. The slave was made to say some very smart as, well as impressive things in reply to his master‐things which had the de‐ sired though unexpected effect; for the conversation resulted in the voluntary emancipation of the slave on the part of the master.
In the same book, I met with one of Sheridan's mighty speeches on and in behalf of Catholic emancipation. These were choice documents to me. I read them over and over again with unabated interest. They gave tongue to interesting thoughts of my own soul, which had frequently flashed through my mind, and died away for want of utterance. The moral which I gained from the dialogue was the power of truth over the conscience of even a slaveholder. What I got from Sheridan was a bold denunciation of slavery, and a powerful vindication of human rights. The reading of these documents enabled me to utter my thoughts, and to meet the arguments brought forward to sustain slavery; but while they relieved me of one difficulty, they brought on another even more painful than the one of which I was relieved. The more I read, the more I was led to abhor and detest my enslavers. I could regard them in no other light than a band of successful robbers, who had left their homes, and gone to Africa, and stolen us from our homes, and in a strange land reduced us to slavery. I loathed them as being the meanest as well as the most wicked of men. As I read and contemplated the subject, behold that very discontentment which Master Hugh had predicted would follow my learning to read had already come, to torment and sting my soul to unutterable anguish. As I writhed under it, I would at times feel that learning to read had been a curse rather than a blessing. It had given me a view of my wretched condition, without the remedy. It opened my eyes to the horrible pit, but to no ladder upon which to get out. In moments of agony, I envied my fellow‐slaves for their stupidity. I have often wished myself a beast. I preferred the condition of the meanest reptile to my own. Anything, no matter what, to get rid of thinking! It was this everlasting thinking of my condition that tormented me. There was no getting rid of it. It was pressed upon me by every object within sight or hearing, animate or inanimate. The silver trump of freedom had roused my soul to eternal wakefulness. Freedom now appeared, to disappear no more forever. It was heard in every sound, and seen in every thing. It was ever present to torment me with a sense of my wretched condition. I saw nothing without seeing it, I heard nothing without hearing it, and felt nothing without feeling it. It looked from every star, it smiled in every calm, breathed in every wind, and moved in every storm.
I often found myself regretting my own existence, and wishing myself dead; and but for the hope of being free, I have no doubt but that I should have killed myself, or done something for which I should have been killed. While in this state of mind, I was eager to hear anyone speak of slavery .I was a ready listener. Every little while, I could hear some‐ thing about the abolitionists. It was some time before I found what the word meant. It was always used in such connections as to make it an interesting word to me. If a slave ran away and succeeded in getting clear, or if a slave killed his master, set fire to a barn, or did anything very wrong in the mind of a slaveholder, it was spoken of as the fruit of abolition. Hearing the word in this connection very often, I set about learning what it meant. The dictionary afforded me little or no help. I found it was "the act of abolishing"; but then I did not know what was to be abolished. Here I was perplexed. I did not dare to ask anyone about its meaning, for I was satisfied that it was something they wanted me to know very little about. After a patient waiting, I got one of our city papers, containing an account of the number of petitions from the North, praying for the abolition of slavery in the District of Columbia, and of the slave trade between the States. From this time I understood the words abolition and abolitionist, and always drew near when that word was spoken, expecting to hear something of importance to myself and fellow‐slaves. The light broke in upon me by degrees. I went one day down on the wharf of Mr. Waters; and seeing two Irishmen unloading a scow of stone, I went, unasked, and helped them. When we had finished, one of them came to me and asked me if I were a slave. I told him I was. He asked, " Are ye a slave for life?" I told him that I was. The good Irishman seemed to be deeply affected by the statement. He said to the other that it was a pity so fine a little fellow as myself should be a slave for life. He said it was a shame to hold me. They both advised me to run away to the North; that I should find friends there, and that I should be free. I pretended not to be interested in what they said, and treated them as if I did not understand them; for I feared they might be treacherous. White men have been known to encourage slaves to escape, and then, to get the reward, catch them and return them to their masters. I was afraid that these seemingly good men might use me so; but I nevertheless remembered their advice, and from that time I resolved to run away. I looked forward to a time at which it would be safe for me to escape. I was too young to think of doing so immediately; besides, I wished to learn how to write, as I might have occasion to write my own pass. I consoled myself with the hope that I should one day find a good chance.
Meanwhile, I would learn to write. The idea as to how I might learn to write was suggested to me by being in Durgin and Bailey's ship‐yard, and frequently seeing the ship carpenters, after hewing, and getting a piece of timber ready for use, write on the timber the name of that part of the ship for which it was intended. When a piece of timber was intended for the larboard side, it would be marked thus‐"L." When apiece was for the starboard side, it would be marked thus‐‐S.F." A piece for the larboard side forward, would be marked thus‐"L.F." When apiece was for starboard side forward, it would be marked thus‐"S.F." For larboard aft, it would be marked thus‐"L.A." For starboard aft, it would be marked thus‐"S.A." I soon learned the names of these letters, and for what they were intended when placed upon a piece of timber in the shipyard. I immediately commenced copying them, and in a short time was able to make the four letters named. After that, when I met with any boy who I knew could write, I would tell him I could write as well as he. The next word would be, "1 don't believe you. Let me see you try it." I would then make the letters which I had been so fortunate as to learn, and ask him to beat that. In this way I got a good many lessons in writing, which it is quite possible I should never have gotten in any other way. During this time, my copy‐ book was the board fence, brick wall, and pavement; my pen and ink was a lump of chalk. With these, I learned mainly how to write. I then commenced and continued copying the Italics in Webster's Spelling Book, until I could make them all without looking in the book. By this time, my little Master Thomas had gone to school, and learned how to write, and had written over a number of copy‐books. These had been brought home, and shown to some of our near neighbors, and then laid aside. My mistress used to go to class meeting at the Wilk Street meeting‐house every Monday afternoon, and leave me to take care of the house. When left thus, I used to spend the time in writing in the spaces left in master Thomas's copy‐book, copying what he had written. I continued to do this until I could write a hand very similar to that of Master Thomas. Thus, after a long, tedious effort for years, I finally succeeded in learning how to write.
Taken from: http://www.gibbsmagazine.com/learning%20to%20read.htm
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Tells us who Frederick Douglass was, how he gained his knowledge, and begins the conversation of his condition.
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This paragraph explains a small background into who Frederick Douglass was and what he did. Gives reader more knowledge of what to expect when continuing on.
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Great background for the rest of the story
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Shows his purpose/what he wants his audience to learn about while they’re reading
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States the purpose for writing the exerpt.
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Overall pupose of this article. Wraps up the idea of what you are about to read.
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How did he show how bad the situation was, though? What descriptions/adjectives did he use? Does it also give any specifics or foreshadowing at the beginning as to how he learned to read and write? I’d be interested to know.
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Words have different meanings now. It is interesting to see how meanings change.
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I was wondering what he meant by this too, and I believe it definitley had different meaning back then too. What are some of the context clues we can use to come to this conclusion?
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Used to mean just the master’s wife in old times, words change over time
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The word “mistress” is appropriate at that time but now almost a derogatory term. How do we decipher between what to and not appropriate?
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This sentence really spoke out to me, because in our world today, we wouldn’t consider knowing how to read a privilege. This act of kindness allowed Douglass to share his words with generations to come.
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Shows the unwillingness of his master’s wife to do something considered illegal at the time.
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Explains how his mistress slowly developed a more negative mindset toward him. Inspired him to write about this moment as a turning point in his life with her. Even kind people began to feel hatred towards the slaves as more opposition was pushed onto them.
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Appeals to the emotions of the audience very well here.
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Author’s claim, but could also count as pathos.
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Appeals to pathos as we see his attempts to relate the claim through pity and sadness.
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Definitely evidence for Douglas’ claim.
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Because (for this reason).
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Tone shift from a nice tone(She was nice) to a sad one (she became not nice). Uses imagery of the heart becoming stone and simile “tiger-like” to show how slavery negatively affected her as a slaveholder
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Education makes slavery harder to enforce. when people are educated or educate other as an equal it goes against the doctrines imposed by slavery as a whole.
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Ethos
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The evidence that it was not easy for Douglass to even be able to read and write let alone learn it on his own
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The conclusion was very strong as it was supported by descriptive words such as how they ‘most narrowly watched.’
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Description
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It explains how important this was to him. Douglass had the opportunity to spread his knowledge to his children and many people. He also got to share his voice.
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Claim
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Context, but also evidence for claim.
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How important is it to bring emotion into a piece and what role did it play and Douglass’ work?
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Great description, “valuable bread of knowledge”
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He is caring about the emotions of the boys who helped him, he is grateful but he knows they, right be embarrassed from helping him.
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Pathos, appealing to emotions again.
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The paragraph from here forward appeals to our emotions which makes it pathos. Showing the way that the young boys struggled with the idea of slavery when they were not yet fully brainwashed with pro slavery views is compelling.
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Pathos
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support 1: mistress teaching him how to write
support 2: kids wanted him to be free
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Characterizes what the nation was like then, so ethos.
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Logos, but also making a claim.
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Logos, but could also be pathos
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Describing his mixed feelings about his new skill.
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starting to despise the people who enslave him, which was a more painful and strong feeling he had than his relief
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Pathos
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He wishes he could go back to when he didn’t know about the terrible thing slavery is and wishes he could go back to being ignorant like the other slaves who weren’t allowed education
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Paragraph 6, Sentence 9
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Great Description
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he was emersed in the idea of freedom
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Reading this makes you feel empathy and compassion for this man
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Uses his pain and suffering as a condition for empathy. Wants the reader to sympathize with his condition.
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The state of society that Douglas was placed in led him to believe that the only way he could gain freedom was through death.
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Muddled background he’s hearing from the outside world.
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If a slave runs away there is a risk of them being killed, appeals to your logical side that this would happen
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Logos, reference to the Fugitive Slave Act
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Pathos of the Irishman towards Douglas
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Logos, also reference to the Fugitive Slave Act
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He felt like he had to wait and prepare for the day he was ready to run away
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Ethos, patience or else he would get arrested.
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By using these details, it allows Douglass to relate to the reader. It gives the reader a way to find more interest in what they are reading about.
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Logos
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The character of the times, ethos
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Logos, would get caught if taught any other way
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He self taught himself how to read and write. Looked to acquire knowledge that wouldn’t be granted otherwise. Douglas broke the stigma of colored people to gain and retain knowledge.
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This is important because he taught himself how to write which many slaves didn’t know how to do.
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Background, appeals to the audience with one last hurrah.
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Within this paragraph and especially this concluding sentence, Frederick Douglass sums up his hardships of learning to write with a thankful tone. He’s not happy with his experience but feels accomplished with his own abilities gained during his slavery.
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